Proportions Quotes - page 2
The SNP's commitment to a Bill of Rights and written constitution means that we will outlaw any discrimination but we also have to eradicate it from the dark recesses of the Scottish psyche. We also have to speak out against institutionalised discrimination. For example, it is a scandal of some considerable proportions that no Catholic can sit on the throne, or marry the heir to the throne -- an attitude entrenched in law that belongs to the archaic arrangements of the eighteenth century, not the bright prospects of the twenty-first.
Alex Salmond
Too often in a modern building the work of art is an afterthought – a piece of decoration added to fill a space that is felt to be too empty. Ideally the work of art should be a focus round which the harmony of the whole building revolves – inseparable from the design, structurally coherent and aesthetically essential... He [the sculptor] will want to consider both external proportions and internal space volumes in relation to the size and style of sculpture that might be required – not merely the decorative function of sculpture... I am thinking of the didactic and symbolic functions of sculpture in Gothic architecture, inseparable from the architectural conception itself...
Henry Moore
in English: I do not consider myself a musician, rather a radar ready to pick up the symphonies coming from the sky. It's been like that since I was four years old and I hope it will continue forever. When I compose, any ingredient can be good, the problem lies in the proportions that must be harmonized. It's like the work of architects, you never invent anything.
Vangelis
True artistic experience is never passive, for the spectator is obliged to participate, as it were, in the continuous or discontinuous variations of proportions, positions, lines and planes. Moreover, he must see clearly how this play of repeated or non-repeated changes may give rise to a new harmony of relations which will constitute the unity of the work. Every part becomes organized into a whole with the other parts. All the parts contribute to the unity of the composition, none of them assuming a dominant place in the whole.
Theo van Doesburg
Political repression in the United States has reached monstrous proportions. Black and Brown peoples especially, victims of the most vicious and calculated forms of class, national and racial oppression, bear the brunt of this repression. Literally tens of thousands of innocent men and women, the overwhelming majority of them poor, fill the jails and prisons; hundreds of thousands more, including the most presumably respectable groups and individuals, are subject to police, FBI and military intelligence surveillance. The Nixon administration most recently responded to the massive protests against the war in Indochina by arresting more than 13,000 people and placing them in stadiums converted into detention centers.
Angela Davis
The first 'Colour charts' were unsystematic. They were based directly on commercial colour samples. They were still related to Pop Art. In the canvases that followed, the colours were chosen arbitrarily and drawn by chance. Then, 180 tones were mixed according to a given system and drawn by chance to make four variations of 180 tones. But after that the number 180 seemed too arbitrary to me, so I developed a system based on a number of rigorously defined tones and proportions... Based on mixtures of the three primary colours, along with black and white, I come up with a certain number of possible colours and, by multiplying these by two or four, I obtain a definite number of colour fields that I multiply yet again by two, etc. But the complete realization of this project demands a great deal of time and work.
Gerhard Richter
Starting from a drawing, a pure creation of the mind, I expand it in space by giving it three dimensions, by giving it a material body [in polystyrene] and then enlarge it to the proportions of a site where it can evolve. In this way, instead of having only the drawing before you while remaining anchored in the everyday world, you can finally leave the world and penetrate into drawing, and thus inhabit the creation of the mind instead of merely looking at it prudently in a frame on the wall. The experience consists, therefore, in abstracting yourself totally from the natural everyday world in order to feed your eyes solely on your own mental elaborations.
Jean Dubuffet
Usually it is easier to obtain estimates for budget proportions and Engel elasticities than for elasticities with respect to price. By making certain want independence assumptions, the elasticities with respect to price can be deduced from the knowledge of budget proportions and Engel elasticities. In this connection the concept of the flexibility of the marginal utility of money is essential. A system of formulae decribing these relations is given.
Ragnar Frisch
It is not growing like a tree
In bulk, doth make man better be;
Or standing long an oak, three hundred year,
To fall a log, dry, bald and sere:
A lily of a day,
Is fairer far, in May,
Although it fall, and die that night;
It was the plant and flower of light.
In small proportions we just beauties see,
And in short measures life may perfect be.
Ben Jonson
Even in respect to those crimes which seem perfectly beyond human foresight, such as murders committed in general at the close of quarrels, arising without a motive, and under other circumstances to all appearance the most fortuitous or accidental; nevertheless, experience proves that murders are committed annually, not only pretty nearly to the same extent, but even that the instruments employed are in the same proportions. Now, if this occurs in the case of crimes whose origin seems to be purely accidental, what shall we say of those admitted to be the result of reflection.
Adolphe Quetelet
It is only by long and laborious study, and by the comparison of a number of individuals, that it will be possible to succeed in establishing correct average proportions each age, and in settling the limits betwixt they can be made to vary, without ceasing to be accurate and faithful to nature-our first and guide in this difficult study.
Adolphe Quetelet
Artists have, for the most part, bound themselves down to follow a blind routine. Noble exceptions, however, have presented themselves. Nicholas Poussin, one of the most profound thinkers, whom the arts have produced, took care to correct and regulate by the antique the proportions which Leon Baptista Alberti and Albert Durer had given from the living model.
Adolphe Quetelet
What are the choices that we must make if we are now to succeed, and not to fail? [...] Two types of choices seem to me to have been crucial to tipping their outcomes towards success or failure: long-term planning, and willingness to reconsider core values. On reflection, we can also recognize the crucial role of these same two choices for the outcomes of our individual lives. One of those choices has depended on the courage to practice long-term thinking, and to make bold, courageous, anticipatory decisions at a time when problems have become perceptible but before they have reached crisis proportions. [...] The other crucial choice illuminated by the past involves the courage to make painful decisions about values. Which of the values that formerly served a society well can continue to be maintained under new changed circumstances? Which of these treasured values must instead be jettisoned and replaced with different approaches?
Jared Diamond
![The Definition in the Elements, according to Clavius, is this: Magnitudes are said to be in the same Reason [ratio], a first to a second, and a third to a fourth, when the Equimultiples of the first and third according to any Multiplication whatsoever are both together either short of, equal to, or exceed the Equimultiples of the second and fourth, if those be taken, which answer one another.... Such is Euclid's Definition of Proportions; that scare-Crow at which the over modest or slothful Dispositions of Men are generally affrighted: they are modest, who distrust their own Ability, as soon as a Difficulty appears, but they are slothful that will not give some Attention for the learning of Sciences; as if while we are involved in Obscurity we could clear ourselves without Labour. Both of 300 which Sorts of Persons are to be admonished, that the former be not discouraged, nor the latter refuse a little Care and Diligence when a Thing requires some Study. (Isaac Barrow)](https://cdn.quotesdtb.com/img/quotes_images_webp/09/isaac-barrow-ability-answer-422009.webp)
I disregard the proportions, the measures, the tempo of the ordinary world. I refuse to live in the ordinary world as ordinary women. To enter ordinary relationships. I want ecstasy. I am a neurotic -- in the sense that I live in my world. I will not adjust myself to the world. I am adjusted to myself.
Anaïs Nin
The first economic revolution was not a revolution because it shifted man's major economic activity from hunting and gathering to settled agriculture. It was a revolution because the transition created an incentive change for mankind of fundamental proportions. The incentive change stems from the different property rights under the two systems. When common property rights over resources exist, there is little incentive for the acquisition of superior technology and learning. In contrast, exclusive property rights which reward the owners provide a direct incentive to improve efficiency and productivity, or, in more fundamental terms, to acquire more knowledge and new techniques. It is this change in incentive that explains the rapid progress made by mankind in the last 10,000 years in contrast to his slow development during the long era as a primitive hunter/gatherer.
Douglass North