Memorable Quotes - page 3
After four years of sitting through lectures, I have a feeling you're not in the mood for another one. What I have learned about graduation speeches is that they're too long and rarely remembered. So I'll keep this short. I just can't attest to how memorable it will be. I've also learned that it's important to refer to someone associated with the University. So I picked one, an SMU trustee, who by the way is not here, Reverend Mark Craig. Now, I asked Mark to deliver the sermon at the First United Methodist Church in Austin before my second inauguration as Governor of Texas. I still remember his Fort Worth twang as he talked about Moses. God called Moses to action, and Moses repeatedly found excuses not to act. 'Who am I that I should go to Pharoah, and bring the sons of Israel out of Egypt? Oh, my Lord, I pray, send some other person. I have sheep to tend. And the people won't believe me. I'm not a very good speaker'.
George W. Bush
Fellow citizens, the fourteenth day of April 1865, of which this is the eleventh anniversary, is now and will ever remain a memorable day in the annals of this republic. It was on the evening of this day, while a fierce and sanguinary rebellion was in the last stages of its desolating power; while its armies were broken and scattered before the invincible armies of Grant and Sherman; while a great nation, torn and rent by war, was already beginning to raise to the skies loud anthems of joy at the dawn of peace, it was startled, amazed, and overwhelmed by the crowning crime of slavery, the assassination of Abraham Lincoln. It was a new crime, a pure act of malice. No purpose of the rebellion was to be served by it. It was the simple gratification of a hell-black spirit of revenge. But it has done good after all. It has filled the country with a deeper abhorrence of slavery and a deeper love for the great liberator.
Frederick Douglass
Whether the French were better colonists than the British is an academic question, but at least such Frenchmen as were planting in Malaya (Pierre Boulle, for instance, and Henri Fauconnier) were kept sane by their own culture and some of them (those two, anyway) produced memorable novels based on their Malayan experiences. The British were mostly philistines, and they left behind a heritage of philistinism. Kampung culture is dying, and a metropolitan culture of art galleries and orchestras seems unlikely to arise. What there is, and flourishing too, is a materialist consumerism that is threatened from the north by the communists and from the west by the militant Islam of the ayatollahs. Mr Butcher's book deals with a race of people who may well be surveyed in terms of anthropological generalities. There was no room for the brilliant or the eccentric. British Malaya was created by courageous and suffering mediocrities. The building of Singapore in 1819 was a rather different affair.
Anthony Burgess
Totalitarian art must be a form of classicism: the state which is founded on order and subordination demands an art with a similar basis. Romantic painting, however popular, expresses the revolt of the individual. The State also requires an art of reason by which appropriate works may be produced as required. Inspiration is outside state control. The classic attitude toward subject matter - that it should be clear and unequivocal - supports the attitude of unquestioning belief. Add the fact that totalitarian art must be real enough to please the ignorant, ideal enough to commemorate a national hero, and well enough designed to present a memorable image, and one sees how perfectly The Death of Marat fills the bill. That it happens also to be a great work of art makes it dangerously misleading.
Kenneth Clark
That memorable day died in purple and gold, and just as the last traces of the sunset faded in the west and the star-lilies filled the sky, the full moon looked down over the rim of the valley, and the great rocks, catching the silvery glow, came forth out of the dusky shadows like very spirits.
John Muir
Over the last half century the television interview has given us some of TV's most heart-stopping and memorable moments. On the surface it is a simple format - two people sitting across from one another having a conversation. But underneath it is often a power struggle - a battle for the psychological advantage.
David Frost
I went to a friend who's a girl and asked her, 'What's it like to have sex for the first time, if you're Irish – so you're modest, and it's the 1950s – so you've never seen it in a film?' I listened carefully to what she said, and I put it in the book. It was an important element, the detail was richly memorable for the person, it had to be in the book.
Colm Tóibín
"Forgive and forget" goes the expression, and for our idealized magnanimous selves, that was all you needed. But for our actual selves the relationship between those two actions wasn't so straightforward. In most cases we had to forget a little bit before we could forgive; when we no longer experienced the pain as fresh, the insult was easier to forgive, which in turn made it less memorable, and so on.
Ted Chiang
That was a memorable day to me, for it made great changes in me. But it is the same with any life. Imagine one selected daystruck out of it, and think how different its course would have been. Pause you who read this, and think a moment of the long chain of iron or gold, of thorns of flowers, that would never have bound you, but for the formation of the first link on one memorable day.
Charles Dickens
Between what matters and what seems to matter, how should the world we know judge wisely?
When the scheming, indomitable brain of Sigsbee Manderson was scattered by a shot from an unknown hand, that world lost nothing worth a single tear; it gained something memorable in a harsh reminder of the vanity of such wealth as this dead man had piled up-without making one loyal friend to mourn him, without doing an act that could help his memory to the least honor. But when the news of his end came, it seemed to those living in the great vortices of business as if the earth, too, shuddered under a blow.
Edmund Clerihew Bentley
The great importance of Wilbury House lies less in its appearance now than in its appearance as it was first built and illustrated in Vitruvius Britannicus. It was designed by and built for William Benson in 1710. He is notorious for having been made Wren's successor in 1718, when George I dismissed Wren as a Tory and an old man, and for having failed so completely that he himself was replaced only one year later. But he is memorable as the designer of the first, not Neo-Palladian, but neo-Inigo-Jones house in England. For this is what Wilbury was, as Sir John Summerson was the first to point out. The house then had a four-column Corinthian portico of tall columns set well away from the wall.
Nikolaus Pevsner
As vampire movies go, few are more memorable than Nosferatu, which is not only the first screen version of Dracula, but, in some ways, remains the best. Unlike many of his predecessors who dabbled in the vampire genre, Murnau was a craftsman, and the care he lavished upon this production is evident in each shot and every scene. Alongside The Cabinet of Dr. Caligari, few motion pictures have had a more profound impact upon an entire genre than Nosferatu has had upon the legion of horror movies that trailed in its wake.
James Berardinelli
