Static Quotes - page 4
Before us, art relied on memory, an anxious re-evocation of an Object lost (happiness, love, a landscape), and hence was nostalgic, static, charged with suffering and distance. With Futurism, instead, art is turning into art-action, which is to say, into will, optimism, aggression, possession, penetration, delight, brutal reality within art (example: onomatopoiea; -example: noise-tuners = motors), geometrical splendor of forces, projections forward. Thus, art is becoming Presence, new Object, new reality created with the abstract elements of the universe. The hands of the passéist artist used to suffer for the sake of the lost Object; our hand will twitch for the new Object to be created. That is why the new Object (the plastic complex) has miraculously appeared in your hands.
Filippo Tommaso Marinetti
I do not care if people agree or disagree with my particular brand of knowledge or formulation of truth (for we all must have that for ourselves) but they are impossible to help if completely satisfied with their own. To me, the ultimate hell (if there is a hell, which I very much doubt) would be a state of complete satisfaction with one's own viewpoint and therefore such a static condition that all evolution in thought and all progress would be permanently arrested.
Alice Bailey
A dark and troubled abstention:
Put a flower for me in the most secret garden
In a horizon of grace and clarity
Which was untouchable and next.A static promise in the light of the moon
Of the density which was corporal in me.
It is not the fault, it is the memory
Of the first morning of the sin
Without Eve and Adam.Only the proven fruit
And the rolled serpent
In my loneliness.
Natália Correia
Space and time are the only forms on which life is built and hence art must be constructed... The realisation of our perceptions of the world in the forms of space and time is the only aim of our pictorial and plastic art... We renounce the thousand-year-old delusion in art that held the static rhythms as the only elements of the plastic and pictorial arts. We affirm in these arts a new element, the kinetic rhythms as the basic forms of our perception of real time.
Naum Gabo
In relativity, movement is continuous, causally determinate and well defined, while in quantum mechanics it is discontinuous, not causally determinate and not well defined. Each theory is committed to its own notions of essentially static and fragmentary modes of existence (relativity to that of separate events, connectable by signals, and quantum mechanics to a well-defined quantum state). One thus sees that a new kind of theory is needed which drops these basic commitments and at most recovers some essential features of the older theories as abstract forms derived from a deeper reality in which what prevails in unbroken wholeness.
David Bohm
Human sense organs can receive only news of difference, and the differences must be coded into events in time (i.e., into changes) in order to be perceptible. Ordinary static differences that remain constant for more than a few seconds become perceptible, only by scanning. Similarly, very slow changes become perceptible only by a combination of scanning and bringing together observations from separated moments in the continuum of time.
Gregory Bateson
The Imamah (religious leadership) and ummah (religious community) shed light on...the principle of progress [which society should strive towards], of reforming the relations of society, ideology, belief, life, and the pulling and driving of society and the souls, thoughts, and minds that make up this society to the best possible form. The ummah is not a society where human individuals feel a stagnant form of confort and happiness, or feel a free, carelss sense of irresponsibility and make static comfort the goal of life.
Ali Shariati
The miracle of physics that I'm talking about here is something that was actually known since the time of Einstein's general relativity; that gravity is not always attractive. Gravity can act repulsively. Einstein introduced this in 1916... in the form of the cosmological constant, and the original motivation of modifying the equations of general relativity to allow this was because Einstein thought that the universe was static, and he realized that ordinary gravity would cause the universe to collapse if it was static. ...The fact that general relativity can support this gravitational repulsion, still being consistent with all the principles that general relativity incorporates, is the important thing which Einstein himself did discover..
Alan Guth
The best approach to this cultural revolution is therefore through family and household, i.e. through the structure of relations between the secondhand generations. In most societies this had been impressively resistant to sudden change, though this does not mean that such structures were static.
Eric Hobsbawm
[We may view the] economic organization as a system of prize relations. Seen in the large, free enterprise is an organization of production and distribution in which individuals or family units get their real income, their "living," by selling productive power for money to "business units" or "enterprises", and buying with the money income thus obtained the direct goods and services which they consume. This view, it will be remembered, ignores for the sake of simplicity the fact that an appreciable fraction of the productive power in use at any time is not really employed in satisfying current wants but to make provision for increased want-satisfaction in the future; it treats society as it would be, or would tend to become, with progress absent, or in a "static” state.
Frank Knight
But the most remarkable thing about prehistoric naturalism is not that it is older than the geometric style, which makes so much more of a primitive impression, but that it already reveals all the typical phases of development through which art has passed in modern times and is not in any sense the merely instinctive, static, a-historical phenomenon which scholars obsessed with geometric and rigorously formal art declare it to be. This is an art which advances from a linear faithfulness to nature, in which individual forms are still shaped somewhat rigidly and laboriously, to a more nimble and sparkling, almost impressionistic technique.
Arnold Hauser
That passivity was the essence of the problem. The human being was intended to be passive only in a condition of fatigue, and not always then. Too much passivity of body produced surplus fat, short-windedness, indigestion: passivity of mind produced the same symptoms on the mental level. a feeling of spiritual dyspepsia. Since the average human being has no purposes that are not connected with the activities of keeping alive, the black room was bound to produce passivity, increasing dullness, a state in which the mind is at once awake and static, motionless, stagnant. This sense of dullness was nothing less than the collapse of the sense of reality and of values, the retreat into one's inner world.
Colin Wilson
I don't think there was anything in my brain right then except the usual background static -- the kind you get on your radio when it's turned up all the way and tuned to no station at all. My brain had checked to the power, so to speak; the little guy wearing the Napoleon hat inside was showing aces and betting them.
Stephen King
... as a matter of fact it is nice to paint a happy picture after a sad one. I think there is a kind of loneliness in a lot of them which I don't think about as the fact that I'm lonely and therefore I paint lonely pictures, but I like kind of lonely things anyhow; so if the forms express that to me, there is a certain excitement that I have about that.... What I try to do is to create the painting so that the overall thing has the particular emotion; not just the forms in it.... in other words, there's a particular static or heavy form that can have a look to it, an experience that translated through the form; so then it does have a mood. And when that is there, well then it becomes it becomes a painting whereas all the other pictures that have far more interesting shapes and so on, don't become that to me.
Franz Kline
The worldly man lives in society, marries, establishes a family; Yoga prescribes absolute solitude and chastity. The worldly man is "possessed” by his own life; the yogin refuses to "let himself live”; to continual movement, he opposes his static posture, the immobility of āsana; to agitated, unrhythmical, changing respiration, he opposes prānāyāma, and even dreams of holding his breath indefinitely; to the chaotic flux of psychomental life, he replies by "fixing thought on a single point,” the first step to that final withdrawal from the phenomenal world which he will obtain through pratyāhāra. All of the yogic techniques invite to one and the same gesture-to do exactly the opposite of what human nature forces one to do. From solitude and chastity to samyama, there is no solution of continuity. The orientation always remains the same-to react against the "normal,” "secular,” and finally "human” inclination.
Mircea Eliade
The general, and at the same time dynamic, type of analysis still remains an unwritten chapter of economic theory, the claims of innumerable "model-builders” notwithstanding... The ... theoretical approach, based on the combination of the complexities of a general interdependent system with the simplifying assumptions of static analysis, constitutes the background of this investigation.
Wassily Leontief