Gesture Quotes - page 3
It is essential to bear in mind that the world of the mystics, like that of modern physics, cannot always be 'explained' in normal words, but often 'shows' itself the better through visual images.. [from the accumulation of matter and of objects to the radicalism of a gesture, it is a matter of] painting the essential and nothing more (Tàpies is citing here Llull)
Antoni Tàpies
In general they are intoxicated by the fame of mass culture, a fame which the latter knows how to manipulate; they could just as well get together in clubs for worshipping film stars or for collecting autographs. What is important to them is the sense of belonging as such, identification, without paying particular attention to its content. As girls, they have trained themselves to faint upon hearing the voice of a 'crooner'. Their applause, cued in by a light-signal, is transmitted directly on the popular radio programmes they are permitted to attend. They call themselves 'jitter-bugs', bugs which carry out reflex movements, performers of their own ecstasy. Merely to be carried away by anything at all, to have something of their own, compensates for their impoverished and barren existence. The gesture of adolescence, which raves for this or that on one day with the ever-present possibility of damning it as idiocy on the next, is now socialized.
Theodor Adorno
Everything moves continuously. Immobility does not exist. Don't be subject to the influence of out-of-date concepts. Forget hours, seconds and minutes. Accept instability. Live in Time. Be static - with movement. For a static of the present movement. Resist the anxious wish to fix the instantaneous, to kill that which is living.
Stop insisting on 'values' which can only break down. Be free, live. Stop painting time. Stop evoking movements and gestures. You are movement and gesture. Stop building cathedrals and pyramids which are doomed to fall into ruin. Live in the present, live once more in Time and by Time - for a wonderful and absolute reality.
Jean Tinguely
Dada is a farce, a legend, a state of myth. A badly behaved myth whose subterranean survival and capricious manifestation upset everyone.. .The aesthetic of absolute negativity has been changed into methodical doubt, thanks to which it will finally be able to incarnate new signs.. .After the NO and the ZERO, there is a third position for the myth; the anti-art gesture of Marcel Duchamp has been charged with positive energy. The Dada spirit identifies itself with a method of appropriation of exterior reality of the modern world.. .The ready-made is no longer the height of negativity or of polemic, but the basis element of a new expressive repertoire. Such is the New Realism: a direct means for getting one's feet back on the ground but at 40 degree above Dada zero.
Gerhard Richter
And the color, the overcast blue
Of the air, in which the blue guitar
Is a form, described but difficult,
And I am merely a shadow hunched
Above the arrowy, still string,
The maker of a thing yet to be made;
The color like a thought that grows
Out of a mood, the tragic robe
Of the actor, half his gesture, half
His speech, the dress of his meaning, silk
Sodden with his melancholy words,
The weather of his stage, himself.
Wallace Stevens
I shared, naturally, in that hatred of organized labor which has been the one political constant in my lifetime, culminating in Ronald Reagan's most popular gesture, the smashing of the air-controllers' union. No alternative view of organized labor has ever come to us through the popular media. If labor leaders were not crooks like Jimmy Hoffa, they were in the pay of Moscow.
Gore Vidal
The need for abstraction and symbols is a characteristic sign of the intensity and rapidity with which life is lived today. It often happens that a word, [or] a phrase, will serve to synthesize a complete action, an entire psychology. In the same way, one gesture, one essential feature, may, by suddenly throwing light upon our intuition, succeed in presenting to our vision the total reality.
Gino Severini
In the discussion we had last year at Siegen, in this regard, emphasis was put on the sort of emptiness that has to be obtained from mind and body by a Japanese warrior-artist when doing calligraphy, by an actor when acting: the kind of suspension of ordinary intentions of mind associated with habitus, or arrangements of the body. It's at this cost, said Glenn and Andreas, ... that a brush encounters the "right” shapes, that a voice and a theatrical gesture are endowed with the "right” tone and look. The soliciting of emptiness, this evacuation-very much the opposite of overweening, selective identificatory activity-doesn't take place without some suffering. ... The body and mind have to be free of burdens for grace to touch us.
Jean-François Lyotard
It's hard for me to speak to you as if you were not a tyrant," I say. "You sit here and think you are more civilized than Luna because you obey your creed of honor, because you show restraint." I gesture to the simple house. "But you're not more civilized," I say. You're just more disciplined."
"Isn't that civilization? Order? Denying animal impulses for stability?
Pierce Brown
When a man has been the lover of a woman as that man had been hers, with the vibrating communion of a voluptuousness unbroken for two years, that woman maintains a sort of physiological, quasi-animal instinct. A gesture, the accent of a word, a sigh, a blush, a pallor, are signs for her that her intuition interprets with infallible certainty. How and why is that instinct accompanied by absolute oblivion of former caresses? It is a particular case of that insoluble and melancholy problem of the birth and death of love.
Paul Bourget
When I was a child, I used to think that rabbits were gnomes, and that if I held my breath and stayed quite still, I should see the fairy queen.". Indicating with a reserved gesture that this was just the sort of loony thing I should have expected her to think as a child, I returned to the point.
P. G. Wodehouse
The photographer's gesture as the search for a viewpoint onto a scene takes place within the possibilities offered by the apparatus. The photographer moves within specific categories of space and time regarding the scene: proximity and distance, bird- and worm's-eye views, frontal- and side-views, short or long exposures, etc. The Gestalt of space–time surrounding the scene is prefigured for the photographer by the categories of his camera. These categories are an a priori for him. He must ‘decide' within them: he must press the trigger.
Vilem Flusser
Religious ritual survives cultural transmission by embedding episodes of intense, life-defining personal experiences in public performances. These performances involve sequential, socially interactive movement and gesture (chant, dance, murmur, sway) and formulaic utterances that rhythmically synchronize affective states among group members in displays of cooperative commitment. This is often accompanied by sensory pageantry, which further helps to emotionally validate and sustain the moral consensus.
Scott Atran
