Continuity Quotes - page 4
The thing is that I have a really intense, almost compulsive need to record. But it doesn't end there, because what I record is somehow transformed into a creative thing. There is a continuity. Recording is the beginning of a conceptual production. I am somehow collapsing the two - recording and producing - into a single event.
Rem Koolhaas
Art at the moment is thrilling. The work of the artist today springs from innate impulses towards life, towards growth - impulses whose rhythms and structures have to do with the power and insistence of life. [...] In the past, when sculpture was based on the human figure, we knew this structure well. But today we are concerned with structures in an infinitely wider sense, in a universal sense. Our thoughts can either lead us to life and continuity or [...] the way to annihilation. That is why it is so important that we find our complete sense of continuity backwards and forwards in this new world of forms and values. I see the present development in art as something opposed to any materialistic, anti-human or mechanistic direction of mind.
Barbara Hepworth
Sculpture communicates an immediate sense of life - you can feel the pulse of it. It is perceived, above all, by the sense of touch which is our earliest sensation; and touch gives us a sense of living contact and security. [...] That has nothing to do with the question of perfection, or harmony, or purity, or escapism. It lies far deeper; it is the primitive instinct which allows man to live fully with all his perceptions active and alert, and in the calm acceptance of the balance of life and death. In its insistence on elementary values, sculpture is perhaps more important today than before because life's continuity is threatened and this has given us a sense of unbalance.
Barbara Hepworth
... a single generation enamoured of foreign ways is almost enough in history to risk the whole continuity of civilization and learning. Ages of accumulation are entrusted to the frail bark of each passing epoch by the hand of the past, desiring to make over its treasures to the use of the future. It takes a certain stubbornness, a doggedness of loyalty, even a modicum of unreasonable conservatism maybe, to lose nothing in the long march of the ages; and, even when confronted with great empires, with a sudden extension of the idea of culture, or with the supreme temptation of a new religion, to hold fast what we have, adding to it only as much as we can healthfully and manfully carry.
Sister Nivedita
His fertility cycles meant little to him. In his lifetime, he knew, he might make only one or two real contributions to the City's genetic continuity, his viral gametes combining with others in the bodies of the night feeders to become morphologically active. It was abstractly pleasing, though, to realize he had cast his own essence into the ocean of probability, where it might come floating back unknown to him, as a fresh citizen with new and unique ideas and odors.
Robert Charles Wilson
The business which brings you here to-day is of a peculiar character, due to the very peculiar character of the Empire over which the Queen rules. It yields to none, it is perhaps superior to all in its greatness, in its extent, in the vastness of its population, in the magnificence of its wealth. But it has this peculiarity which separates it from other empires-the want of continuity. The Empire is separated into parts, and distant parts, by large stretches of ocean, and what we are really here to do is to see how far we must acquiesce in the conditions which that separation causes, how far we can obliterate them by agreement and by organization.
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury
It is necessary to separate aesthetics from art because aesthetics deals with opinions on perception of the world in general. In the past one of the two prongs of art's function was its value as decoration. So any branch of philosophy that dealt with "beauty” and thus, taste, was inevitably duty bound to discuss art as well. Out of this "habit” grew the notion that there was a conceptual connection between art and aesthetics, which is not true. This idea never drastically conflicted with artistic considerations before recent times, not only because the morphological characteristics of art perpetuated the continuity of this error, but as well, because the apparent other "functions” of art (depiction of religious themes, portraiture of aristocrats, detailing of architecture, etc.) used art to cover up art.
Joseph Kosuth
This fallacious result is not... a peculiarity of classical mechanics; it is given also by a very wide class of possible systems of mechanics. This being so, no minor modification of the classical mechanics can possibly put things right. Something far more drastic is needed; we are called upon to surrender either the [1] continuity or the [2] causality of classical mechanics, or else the possibility of [3] representing changes by motions in time and space.
James Jeans
First we notice an investigation which Prof. Planck of Berlin published in 1899. His aim was that it should fit the observed facts of radiation, and show why the energy of bodies was not wholly transformed into radiation. ...his investigation seemed to show that continuity had to be given up, suggesting that in the last resort changes in the universe do not consist of continuous motions in space and time, but in some way are discontinuous.
James Jeans
Nowadays, all students have access to and indeed most own computers and are comfortable with the software used to compose music. There are probably too many musical options for them now and the trick is to limit the number of musical ideas so as to develop structure and continuity in their work.
Jon Appleton
I hold in fact
(1) That small portions of space are in fact of a nature analogous to little hills on a surface which is on the average flat; namely, that the ordinary laws of geometry are not valid in them.
(2) That this property of being curved or distorted is continually being passed on from one portion of space to another after the manner of a wave.
(3) That this variation of the curvature of space is what really happens in that phenomenon which we call the motion of matter, whether ponderable or etherial.
(4) That in the physical world nothing else takes place but this variation, subject possibly to the law of continuity.
William Kingdon Clifford
I must try to live austerely, as Plato did.. .I need to live a more solitary life.. .Valuable ideas beyond number miscarry because I have no continuity in my thoughts.. ..The things which we experience for ourselves when we are on our own are stronger by far, and fresher... [his painting 'The Massacre at Chios' was half done when he wrote this note].
Eugène Delacroix
I shall here present the view that numbers, even whole numbers, are words, parts of speech, and that mathematics is their grammar. Numbers were therefore invented by people in the same sense that language, both written and spoken, was invented. Grammar is also an invention. Words and numbers have no existence separate from the people who use them. Knowledge of mathematics is transmitted from one generation to another, and it changes in the same slow way that language changes. Continuity is provided by the process of oral or written transmission.
Carl Eckart