Jackson Quotes - page 4
![I was enormously impressed by Jackson Pollock and Lucio Fontana.. ..the sheer brazenness of it! That really fascinated me and impressed me. I might almost say that those paintings were the real reason I left the GDR [ German Democratic Republic ]. I realized that something was wrong with my whole way of thinking.. .I lived my life with a group of people who laid claim to a moral aspiration, who wanted to bridge a gap.. .And so the way we thought, and what we wanted for our own art, was all about compromise. (Gerhard Richter)](https://cdn.quotesdtb.com/img/quotes_images_webp/69/gerhard-richter-almost-art-429369.webp)
Legends abound of the truly great leapers who could touch the top of the board. Almost always the feat involves money-claims that the player could grab a dollar bill off the top of the board, or could pluck off a quarter and leave two dimes and a nickel change... "I defy anyone to say they took change off the top of the backboard," Chamberlain said. "I could. Someone would put a quarter up and I'd snatch it down. I've heard stories about Jackie Jackson doing it, but I've never seen anyone (but himself) come close." Sonny Hill, a Philadelphia leaping legend of the '60s, backs Wilt, saying, "The only man that's been to the top, that's Wilt. I asked Kareem if he ever did, and he could jump a little bit. He told me, `Sonny, no.'"
Wilt Chamberlain
Mostel: If I appeared there, what if I did an imitation of a butterfly at rest? There is no crime in making anybody laugh. I don't care if you laugh at me.
Congressman Jackson: If your interpretation of a butterfly at rest brought any money into the coffers of the Communist Party, you contributed directly to the propaganda effort of the Communist Party.
Mostel: Suppose I had the urge to do the butterfly at rest somewhere?
Congressman Doyle: Yes, but please, when you have the urge, don't have such an urge to put the butterfly at rest by putting some money in the Communist Party coffers as a result of that urge to put a butterfly at rest.
Zero Mostel
I'm sick of Portraits and wish very much to take my viols-da-gamba and walk off to some sweet village, where I can paint landskips [landscapes] and enjoy the fag - end of life in quietness and ease. But these fine ladies [very probably his wife and daughters] and their tea-drinkings, dancings, husband-huntings, &c, &c. &c., will fob me out of the last ten years, and I fear miss getting husbands too. But we can say nothing to these things you know, Jackson, we must jog on and be content with the jingling of the bells, only, d-[damned]-it I hate a dust, the kicking up a dust, and being confined in harness to follow the track whilst others ride in the waggon, under cover, stretching their legs in the straw at ease, and gazing at green trees and blue skies without half my 'Taste'. That's d-d [damned] hard. My comfort is I have five viols-da-gamba: three 'Jayes' and two 'Barak Normans.
Thomas Gainsborough
I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps; and when we meet you shall hear me play extempore.. [his friend William Jackson of Exeter was composer and organist].
Thomas Gainsborough
But, ultimately, I don't have very cast iron opinions on black music other than black modern music which I detest. I detest Stevie Wonder. I think Diana Ross is awful. I hate all those records in the Top 40 - Janet Jackson, Whitney Houston. I think they're vile in the extreme. In essence this music doesn't say anything whatsoever.
Morrissey
From New Orleans and the back roads of the Mississippi Delta to Harlem and Chicago, black musicians set enduring and distinctive standards for American creativity. The blues of Ma Rainey and Bessie Smith, the gospel of Mahalia Jackson, the jazz of Duke Ellington, and the soul of Marvin Gaye claim fans of all ages from around the world. The trumpeting genius of Louis Armstrong and Dizzy Gillespie illustrate the exceptional musicianship so prominent in various genres of African-American music.
George W. Bush
Here is a Civil War movie that Trent Lott might enjoy. Less enlightened than Gone with the Wind, obsessed with military strategy, impartial between South and North, religiously devout, it waits 70 minutes before introducing the first of its two speaking roles for African Americans; "Stonewall" Jackson assures his black cook that the South will free him, and the cook looks cautiously optimistic. If World War II were handled this way, there'd be hell to pay.
Roger Ebert
Well, I had tried out a few schemes of my own, until one day I began to watch Joe Jackson. He looked to me about the freest, longest hitter I had seen anywhere. He could take a good, natural cut at the ball without losing his balance and when he landed the ball usually kept going until it disappeared. If you will remember, he was the first to hit one over the right field stands at the Polo Grounds. So I said to myself: If that style works so well with Jackson, why not for me? And I began keeping my right foot well forward and my left foot well back. In the first place, being a left-handed hitter, this gave me a chance to get in a lot of leverage and to get my full weight back of the punch. It brought my body around in a half turn and as I stepped into the ball with my right foot I was turning in a natural way in the same direction my bat was traveling. I tried this idea out; it worked great-and I've stuck to it ever since.
Babe Ruth
The first thing I said was a question: Does this really come from the family? I think that was essential to me sort of processing the honor. And when I found out that, in fact, it had, it took me about 48 hours to sort of strike the balance in how I was going to approach being -- you know, being invited to this unbelievable event without actually having the proximity to Michael Jackson personally. I'd never met him.
John Mayer
Men like Jackson were so upright and honest-seeming, but Hooch knew that there wasn't no such thing as a good man, just a man who wasn't bought yet, or wasn't in deep enough trouble, or didn't have the guts to reach out and take what he wanted. That's all that virtue ever boiled down to, so far as Hooch ever saw in his life.
Orson Scott Card
The better artists are original and obdurate; they're the gravel in the pea soup. ln Jackson Pollock's painting the particularity, the immediacy, is the dripped paint, which remains dripped paint as a phenomenon, for all the beauty of the small shapes it makes it makes. The generality is in the scale or proportion and in the large shapes. It's in the appearance of chaos. The gesture or the motion shown in the application of the paint varies from painting to painting from the particular to a middling generality. The size and the color generally occur in the middle between particularity and generality. At the same time as Pollock and since, almost all first-rate art has been based on an immediate phenomenon, for example the work of Dan Flavin and Larry Bell.
Donald Judd
Allen: That's quite a lovely Jackson Pollock, isn't it?
Woman: Yes, it is.
Allen: What does it say to you?
Woman: It restates the negativeness of the universe. The hideous lonely emptiness of existence. Nothingness. The predicament of man forced to live in a barren, godless eternity like a tiny flame flickering in an immense void with nothing but waste, horror, and degradation, forming a useless, bleak straitjacket in a black, absurd cosmos.
Allen: What are you doing Saturday night?
Woman: Committing suicide.
Allen: What about Friday night?
Woody Allen
I put a lot of mannequins in my room in the past, and I still have mannequins in my room, because I used to be very lonely, painfully lonely. You have no idea. I used to walk the streets looking for people to talk to. I'm talking about the height of one's career.... I would walk up to them, strangers, and say, "will you be my friend?" They'd go, "my god, Michael Jackson!"
Michael Jackson