Sensation Quotes - page 4
One of the satisfactions of fiction, or drama, or poetry from the perpetrator's point of view is the selective order it imposes upon the confusion of a lived life; out of the daily welter of sensation and impression these few verbal artifacts, these narratives or poems, are salvaged and carefully presented.
John Updike
It was not an unfamiliar sensation, but it was strange to feel it in the daytime. Mostly, it was a nighttime visitor, an ever-gentle gnawing at the back of the head that had to be always guarded against, lest its realization sweep forth with a cold familiar rush. It was the sudden startling glimpse over the edge-the realization that death is inevitable, that it happens to everyone, that it would happen to me too; that someday, someday, the all-important I (the center of the whole thing) would cease to exist. Would stop. Would end. Would no longer be. Nothing. Nobody. Finished. Death.
David Gerrold
But one day, some painter used 'Abstraction' as a title for one of his paintings. It was a still life. And it was a very tricky title. And it wasn't really a very good one. From then on the idea became something extra. Immediately it gave some people the idea that they could free art from itself. Until then, Art meant everything that was in it – not what you could take off it. There was only one thing you could take out of it sometime when you were in the right mood – that abstract and indefinable sensation, the aesthetic part – and still leave it were it was...
Willem de Kooning
To find themselves utterly alone at night where company is desirable and expected makes some people fearful; but a case more trying by far to the nerves is to discover some mysterious companionship when intuition, sensation, memory, analogy, testimony, probability, induction - every kind of evidence in the logician's list - have united to persuade consciousness that it is quite in isolation.
Thomas Hardy
I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to be the truth of the matter, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; so far I have not found what I want, the actual execution does not seem to me to be rapid enough and does not follow sensation with enough inevitability, but it would be best not to speak of this. The fact is I would be hard put to express my meaning clearly, although I am completely aware of what I lack.
Camille Pissarro
I think continually of some way of painting without the dot. I hope to achieve this but I have not been able to solve the problem of dividing the pure tone without harshness.. .How can one combine the purity and simplicity of the dot with the fullness, suppleness, liberty, spontaneity and freshness of sensation postulated by our impressionist art? This is the question which preoccupies me, for the dot is meager, lacking in body, diaphanous, more monotonous than simple, even in the Seurat's, particularly in the Seurat's [paintings].. .I'm constantly pondering this question, I shall go to the Louvre to look at certain painters who are interesting from this point of view. Isn't it senseless that there are no Turners [here]..
Camille Pissarro
I hope that with the help of van Van Gogh and Durand we will be able to emerge from this situation [selling nothing]. It seems to me that I deserve no less, since I have worked conscientiously. I do not believe that anyone could devote - if not more talent - more care and good will to the service of his art; it takes me hours of reflection to decide on the slightest detail. Is this impatience?... I think not! For I do not wish to make a brush stroke when I do not feel complete mastery of my subject, there's the rub - that is the great difficulty; without sensation, nothing, absolutely nothing valid... I believe I have hit my stride. I have begun a series of things which will really be in my style.
Camille Pissarro
![[ Seurat's pointilist style ].. ..inhibits me and hinders the development of spontaneity of sensation. (Camille Pissarro)](https://cdn.quotesdtb.com/img/quotes_images_webp/01/camille-pissarro-development-sensation-428901.webp)
The mind is the ruler of the soul. It should remain unstirred by agitations of the flesh--gentle and violent ones alike. Not mingling with them, but fencing itself off and keeping those feelings in their place. When they make their way into our thoughts, through the sympathetic link between mind and body, don't try to resist the sensation. The sensation is natural. But don't let the mind start in with judgments, calling it 'good' or 'bad.' (Hays translation)
Marcus Aurelius
But a kind of genius can come of this deprivation of sensation, of experience. It has been mistaken as naïve intelligence, when in fact it is empty intelligence, pure intelligence. The composition of the mind is altered. Its previous cultivation is disintegrated and it has greater access to the brain, the body: it is Supersanity. Learning is turned inside out. You have to start from the top and work your way down. You must study mathematical theory before simple arithmetic; theoretical physics before applied physics; anatomy, you might say, before you can walk.
Jack Abbott
To conclude, if we call light, those rays which illuminate objects, and radiant heat, those which heat bodies, it may be inquired whether light be essentially different from radiant heat? In answer to which I would suggest that we are not allowed, by the rules of philosophizing, to admit two different causes to explain certain effects, if they may be accounted for by one. ...If this be a true account of the solar heat, for the support of which I appeal to my experiments, it remains only for us to admit that such of the rays of the sun as have the refrangibility of those which are contained in the prismatic spectrum, by the construction of the organs of sight, are admitted under the appearance of light and colors, and that the rest, being stopped in the coats and humors of the eye, act on them, as they are known to do on all the other parts of our body, by occasioning a sensation of heat.
William Herschel
The simultaneousness of states of mind in the work of art: that is the intoxicating aim of our art... In the pictorial description of the various states of mind of a leave-taking, perpendicular lines, undulating lines and as it were worn out, clinging here and there to silhouettes of empty bodies, may well express languidness and discouragement. Confused and trepidating lines, either straight or curved, mingled with the outlined hurried gestures of people calling to one another will express a sensation of chaotic excitement. On the other hand, horizontal lines, fleeting, rapid and jerky, brutally cutting in half lost profiles of faces or crumbling and rebounding fragments of landscape, will give the tumultuous feelings of the person going away.
Umberto Boccioni
The commitment I have made is terrible and the plastic means appear and disappear at the moment of implementation. It's terrible... And the chaos of will? What law? It's terrible... Then I struggle with sculpture: I work, work and work and I don't know what I give. Is it interior? Is it exterior? Is it sensation? Is it delirium? Is it brain? Analysis? Synthesis? I don't know what the f... it is! Forms on forms.. confusion... The Cubists are wrong. Picasso is wrong. The academics are wrong. We're all a bunch of d.. heads.
Umberto Boccioni
It was in 1947 that the idea of a conscious monochrome vision came to me... Pure, existential space was regularly winking at me, each time in a more impressive manner, and this sensation of total freedom attracted me so powerfully that I painted some monochrome surfaces just to 'see', to 'see' with my own eyes what existential sensibility granted me; absolute freedom! But each time I could neither imagine or think of the possibility of considering this as a painting, a picture, until the day when I said: Why not?
Yves Klein
Mountcastle discovered that tactile sensation is made up of several distinct modalities; for example, touch includes... hard pressure on the skin as well as a light brush... He found that each distinct submodality has its own private pathway within the brain and that this segregation is maintained at each relay...
Eric Kandel
Perhaps the most amazing sensation passed on to us by prehistoric man is that of presentiment. It will always continue. We might consider it as an eternal proof of the irrationality of the universe. Original man must have wandered through a world full of uncanny signs. He must have trembled at each step.
Giorgio de Chirico