In [the early 1980s], making electronic music was a big job, particularly the way that I was doing it. To get the sounds I wanted, I might have 24 synthesizers playing one synth line, all programmed, all analogue and all drifting out of tune. It used to take hours and hours and hours. I don't know how we ever got through it. (Martin Rushent)

In [the early 1980s], making electronic music was a big job, particularly the way that I was doing it. To get the sounds I wanted, I might have 24 synthesizers playing one synth line, all programmed, all analogue and all drifting out of tune. It used to take hours and hours and hours. I don't know how we ever got through it.

Martin Rushent

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