While I didn't know it at the time, Daniel had suggested to Michael that I play Cora before we had ever met. And prior to our meeting, I was at a restaurant with John Bailey, the director, when I felt this man looking over in our direction and smiling a good deal. I realized, after leaving, that it was Daniel. He later told me that he was having lunch with Michael and had coincidentally asked him earlier that very day about me. It's just a funny thing, isn't it? And I was terribly flattered when he told me this tale. He was also very clear that the decision to cast me as Cora was all Michael's.
Madeleine StoweRelated topics
bailey cast clear daniel day deal direction director early felt good having john later leaving looking lunch man met play smiling tale tell thing whileRelated quotes
I've worked with Mankiewicz, Hawks, Kazan, Wyler, Wilder. I've been very fortunate. All of them work differently. I've even directed a couple of pictures, so I have respect for the work. But no matter what anyone says, it's a collaborative art form. I think the problem is that we've been contaminated by the European concept of the Auteur System. I've had movies where I bought the book, developed the script and cast the whole picture, but then the director walks in and says, "It must be a John Smith film." I think sometimes we emphasize that too much.
Kirk Douglas
Here at present I felt afresh-for I had felt it again and again-how my equilibrium depended on the success of my rigid will, the will to shut my eyes as tight as possible to the truth that what I had to deal with was, revoltingly, against nature. I could only get on at all by taking "nature" into my confidence and my account, by treating my monstrous ordeal as a push in a direction unusual, of course, and unpleasant, but demanding, after all, for a fair front, only another turn of the screw of ordinary human virtue. No attempt, nonetheless, could well require more tact than just this attempt to supply, one's self, all the nature.
Henry James
If there was ever an action movie that didn't warrant a sequel, it's Speed. However, the film grossed enough money to be numbered among the big summer hits of 1994, and the unfortunate result is this film, which reunites director Jan de Bont with leading lady Sandra Bullock, while leaving Keanu Reeves somewhere safe and dry, "working on his music" with his band, Dogstar. Considering the dubious quality of the final product, this may be the wisest decision of the young actor's career. Speed 2 can be numbered among the worst second chapters ever made.
James Berardinelli
Could you love a woman you didn't respect? Could you worship someone without believeing in her? Could you be madly in love with a woman you didn't admire? Well, you could. Not only that, it might be better that way. Easier. It took Paul almost forty years to learn that carnal platitude. Nevertheless, he always took Sonia to dinners where, sooner or later, her stupidity would explode, with the result that brighter souls would inevitably pick up on it right away and cast a sympathetic, albeit ironical, look in his direction, which only excited him all the more.
Françoise Sagan
So here's my challenge to Rupert Murdoch, Jeff Bezos, the Sulzberger family, and anyone else who runs a major media operation: Why not hire a realist? If you're looking for some suggestions, how about Paul Pillar, Chas Freeman Jr., Robert Blackwill, Steve Clemons, Michael Desch, Steve Chapman, John Mearsheimer, Barry Posen, Andrew Bacevich, or Daniel Larison? Give one of them a weekly column, and then you could genuinely claim to be offering your readers a reasonably comprehensive and balanced range of opinion on international affairs. I mean: What are you folks so afraid of?
Stephen Walt