I used to hang out with Bryan down at The Rec. They were going to a comic book show, Kevin, Bryan and Walter. Bryan invited me and told Kevin that Jason Mewes kid's gonna come. And Kevin was like, "Oh, man, I don't want that dude going." He's like, "I ain't driving him." And Bryan was like, "All right. I'll drive." Kevin tells the story better, but when we were driving up - I don't remember, really, but he said I was saying all this stuff and Bryan and Walter were laughing and the whole time he was like, "This guy ain't funny. He ain't funny." He seemed like he really didn't like me. I think that was the first time I met him - he didn't want me coming with them to the comic book show. He didn't even know me, really, but he just didn't want me going. And then one day at The Rec I wound up doing something funny and that's when he started to like me.
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That is why no amount of cajolery, and no attempts at ethical or social seduction, can eradicate from my heart a deep burning hatred for the Tory Party that inflicted those bitter experiences on me. So far as I am concerned they are lower than vermin. They condemned millions of first-class people to semi-starvation. Now the Tories are pouring out money in propaganda of all sorts and are hoping by this organised sustained mass suggestion to eradicate from our minds all memory of what we went through. But, I warn you young men and women, do not listen to what they are saying now. Do not listen to the seductions of Lord Woolton. He is a very good salesman. If you are selling shoddy stuff you have to be a good salesman. But I warn you they have not changed, or if they have they are slightly worse than they were.
Aneurin Bevan
As he drove, he was conscious of the web around him. The web of streets, of people, of places, and of things. The other web, too, the new world. This parallel place, with email address private driveways, it sdotcom marketplaces. You could find out so much there, running reality through your hands likea god's. Everything on the web is information; but everything is on the web, these days; so the world has become information. Everything has become an utterance of this thing, of this bank of words and images: everything is something it is saying, or has said. It's about buying, and looking, about our habits and desires, about contact with others, about voyeurism and aspiration and addiction. It is us boiled down - our essence, for better or worse. It is no longer passive. It is telling the story of us, and sometimes that story needs work.
Michael Marshall Smith
Ray is clearly anguished, Persephone realizes; he believes this stuff with all his soul and all his guts. He believes in the viral metaphor of a bronze-age rabble-rouser from the Levant, as interpreted by his syncretist followers scattered throughout the Roman Empire. He believes in heaven and hell as real, literally existing destinations you can book an airline ticket to. He believes salvation is a deterministic, card-punching exercise in holding faith in the right god; believes that there's a coming End of Time in which his godhead will return to Earth, reading minds and separating the sheep from the goats. No need to ask why his God might prescribe eternal torture for the unbelievers, no need to engage with the problem of free will-Schiller's eschatology is either brutally truncated or sublimely simple, depending on viewpoint. One thing it isn't is nuanced.
Charles Stross
I don't really like to work with literary allusions very much. I never want to be in a position where I'm saying, "You've got to read a lot of other stuff" or "You've got to have had a good education in literature to fully appreciate what I'm doing."... I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
Kazuo Ishiguro
I'm thinking that somewhere around the world, I remember after this 9/11 event back home, people didn't feel much like playing, singing, people didn't feel like going out. But then I thought you know, that somewhere in the world, somebody's hiding behind a rock or a tree, or a wall, or something, and somebody else has been shooting at them for quite some time. Somebody's dreaming, somebody's hoping that somewhere, somebody's singing. Somebody's smiling, and laughing, and life is good, and it's fun to be a human being, and it's all right. And I thought man we got to keep that spirit going, you know, and so we got back out on the road. But I think of that every time that we play now. It would be nice to go anywhere in the world to go and do these kind of things and have fun and live right and not be worried about stuff like that. That's my hope, that everywhere in the world that will happen soon.
Arlo Guthrie