![Well I think it [a 'Little Image' painting] does suggest hieroglyphics of some sort. It is a preoccupation of mine from way back and every once in a while it comes into my work again. For instance in my 1968 show at the Marlborough I have a painting called 'Kufic', an ancient form of Arabic writing. Every once in a while I fall back to what I call my mysterious writings. I haven no idea what this is about but it runs through periods of my work. (Lee Krasner)](https://cdn.quotesdtb.com/img/quotes_images_webp/37/lee-krasner-ancient-arabic-481737.webp)
Well I think it [a 'Little Image' painting] does suggest hieroglyphics of some sort. It is a preoccupation of mine from way back and every once in a while it comes into my work again. For instance in my 1968 show at the Marlborough I have a painting called 'Kufic', an ancient form of Arabic writing. Every once in a while I fall back to what I call my mysterious writings. I haven no idea what this is about but it runs through periods of my work.
Lee KrasnerRelated topics
call comes fall form idea instance mine once preoccupation show sort way well while work runsRelated quotes
If, while I'm painting, I distort or destroy a motif, it is not a planned or conscious act, but rather it has a different justification: I see the motif, the way I painted it, is somehow ugly or unbearable. Then I try to follow my feelings and make it attractive. And that means a process of painting, changing or destroying – for however long it takes – until I think it has improved. And I don't demand an explanation from myself as to why this is so.
Gerhard Richter
It's not a bad idea to call this Cthulhuism & Yog-Sothothery of mine "The Mythology of Hastur"-although it was really from Machen & Dunsany & others, rather than through the Bierce-Chambers line, that I picked up my gradually developing hash of theogony-or daimonogony. Come to think of it, I guess I sling this stuff more as Chambers does than as Machen & Dunsany do-though I had written a good deal of it before I ever suspected that Chambers ever wrote a weird story!
H. P. Lovecraft
What interest, zest, or excitement can there be in achieving the right way, unless we are enabled to feel that the wrong way is also a possible and a natural way, - nay, more, a menacing and an imminent way? And what sense can there be in condemning ourselves for taking the wrong way, unless we need have done nothing of the sort, unless the right way was open to us as well? I cannot understand the willingness to act, no matter how we feel, without the belief that acts are really good and bad.
William James
When I was young I once found a book in a Dutch translation, The 'Leaves of Grass'. It was the first time a book touched me by its feeling of freedom and open spaces, the way the poet spoke of the ocean by describing a drop of water in his hand. Walt Whitman was offering the world an open hand (now we call it democracy) and my 'Monument for Walt Whitman' became this open hand with mirrors, so you can see inside yourself.
Karel Appel
Donald Judd spoke of a 'neutral' surface, but what is meant? Neutrality must involve some relationship (to other ways of painting, thinking?) He would have to include these in his work to establish the neutrality of that surface. He also used 'non' or 'not' – expressive – this is an early problem – a negative solution or – expression of new sense – which can help one into – what one has not known. 'Neutral' expresses an intention.
Jasper Johns