It didn't matter that the story had begun, because kathakali discovered long ago that the secrets of the Great Stories is that they have no secrets. The Great Stories are the ones that you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again. That is their mystery and their magic.
Arundhati RoyRelated topics
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Magic and art tend to share a lot of the same language. They both talk about evocation, invocation, and conjuring. If you're trying to conjure a character, then maybe you should treat that with the respect that you would if you were trying to conjure a demon. Because if an image of a god is a god, then in some sense the image of a demon is a demon. I'm thinking of people like Malcolm Lowry, the exquisite author of Under the Volcano. There are kabbalistic demons that are lurking all the way through Under the Volcano, and I assume they were probably similar forces to the ones that eventually overwhelmed Lowry's life, such as the drinking and the madness. When I hear alcoholics talk about having their demons, I think that they're probably absolutely literally correct.
Alan Moore
Although it is obvious that the Keynesians were all wrong and interventionism and central economic planning don't work, whom are we listening to for advice on getting us out of this mess? Unfortunately, it's the Keynesians, the socialists, and big-government proponents. Who's being ignored? The Austrian free-market economists - the very ones who predicted not only the Great Depression, but the calamity we're dealing with today. If the crisis was predictable and is explainable, why did no one listen? It's because too many politicians believed that a free lunch was possible and a new economic paradigm had arrived. But we've heard that one before - like the philosopher's stone that could turn lead into gold. Prosperity without work is a dream of the ages.
Ron Paul
Later came 'the hour of solitude'. Inside my tiny bedroom-studio, I began my forty days in the desert; I do not know if they are over yet. With a desperate, feverish rage I took formal experimentation to maniacal levels. Each canvas was a battlefield where wounds multiplied ad infinitum. And then came the surprise. All that frenetic movement, all that gesticulation, all that unending dynamism, by dint of the scratches, blows, scars, divisions and subdivisions.... suddenly took a qualitative leap. My eye no longer perceived differences. Everything congealed in a uniform mass. What had been ardent ebullition transformed itself into static silence. It was like a great lesson in humility for the pride of my unbridled quest.
Antoni Tàpies
Therefore, Sir, let it be your Majesty's continuall study (as called and charged thereunto by God) to reforme the universall enormities of your country, and first (taking example of the princely prophet David) to begin at your Majesty's owne house, familie and court, and purge the same of all suspicion of Papists and Atheists and Newtrals, whereof this Revelation foretelleth that the number shall greatly increase in these latter daies. For shall any Prince be able to be one of the destroyers of that great seate, and a purger of the world from Antichristianisme, who purgeth not his owne countrie? Shall he purge his whole countrie who purgeth not his owne house? Or shall he purge his house, who is not purged himself by private meditations with his God?
John Napier
I recently published a book about movies I hated, and people have been asking me which reviews are harder to write - those about great movies, or those about terrible ones. The answer is neither. The most unreviewable movies are those belonging to the spoof genre - movies like Airplane! and The Naked Gun and all the countless spin-offs and retreads of the same basic idea... the bottom line in reviewing a movie like this is, does it work? Is it funny? Yes, it is. Not funny with the shocking impact of Airplane! which had the advantage of breaking new ground. But also not a tired wheeze like some of the lesser and later Leslie Nielsen films. To get your money's worth, you need to be familiar with the various teenage horror franchises, and if you are, Scary Movie delivers the goods.
Roger Ebert