The offer to direct an animated version of Blue Dragon came in February of last year [2006]. Studio Pierrot approached me regarding it. I knew that Sakaguchi had been working on assembling staff to produce a game, although at the time Blue Dragon hadn't yet been formally announced. According to the materials, it was to be a fantasy world like Lord of the Rings, with a detailed world view and story. This may be my final anime, I'm a little worried (about it). There's incredible pressure, but at the same time, there's a sense of accomplishment - that it's worth doing. Blue Dragon will be a masterpiece, not simply because I'm working hard on it, but because the staff is expecting nothing less.
Akira ToriyamaRelated topics
anime assembling came dragon fantasy february final game hard last less lord masterpiece nothing offer produce sense staff story studio version view working worry worth year yetRelated quotes
English: Only a total idiot would think that a major channel is working to inform the audience. The channel sells product, it must be packaged. CNN, for example, is a colossal ideological tool in the West. An excellent example is the situation around Yugoslavia. How effectively a very civilized part of humankind was brainwashed! The question is in approaches. If a consumer "grubs" stale bread, nobody will offer him poppy-seed buns. I'm an absolutely engaged person. By myself. I have certain political views. I'm not a journalist. I practice political propaganda. I am a commentator, and if one comments on events without having one's own position, that's an unhealthy symptom.
Mikhail Leontyev
New York is one of the capitals of the world and Los Angeles is a constellation of plastic, San Francisco is a lady, Boston has become Urban Renewal, Philadelphia and Baltimore and Washington wink like dull diamonds in the smog of Eastern Megalopolis, and New Orleans is unremarkable past the French Quarter. Detroit is a one-trade town, Pittsburgh has lost its golden triangle, St. Louis has become the golden arch of the corporation, and nights in Kansas City close early. The oil depletion allowance makes Houston and Dallas naught but checkerboards for this sort of game. But Chicago is a great American city. Perhaps it is the last of the great American cities.
Norman Mailer
You may not be her first, her last, or her only. She loved before she may love again. But if she loves you now, what else matters? She's not perfect-you aren't either, and the two of you may never be perfect together but if she can make you laugh, cause you to think twice, and admit to being human and making mistakes, hold onto her and give her the most you can. She may not be thinking about you every second of the day, but she will give you a part of her that she knows you can break-her heart. So don't hurt her, don't change her, don't analyze and don't expect more than she can give. Smile when she makes you happy, let her know when she makes you mad, and miss her when she's not there.
Bob Marley
According to Aristotle then excellence of character and intelligence cannot be separated. Here Aristotle expresses a view characteristically at odds with that dominant in the modern world. The modern view is expressed at one level in such banalities as ‘Be good, sweet maid, and let who will be clever' and at another in such profundities as Kant's distinction between the good will, the possession of which alone is both necessary and sufficient for moral worth, and what he took to be a quite distinct natural gift, that of knowing how to apply general rules to particular cases, a gift the lack of which is called stupidity. So for Kant one can be both good and stupid; but for Aristotle stupidity of a certain kind precludes goodness.
Alasdair MacIntyre
Blue Velvet contains scenes of such raw emotional energy that it's easy to understand why some critics have hailed it as a masterpiece. A film this painful and wounding has to be given special consideration. And yet those scenes of stark sexual despair are the tipoff to what's wrong with the movie. They're so strong that they deserve to be in a movie that is sincere, honest and true. But Blue Velvet surrounds them with a story that's marred by sophomoric satire and cheap shots. The director is either denying the strength of his material or trying to defuse it by pretending it's all part of a campy in-joke. ... What's worse? Slapping somebody around, or standing back and finding the whole thing funny?
Roger Ebert