But the projects with which the architects of Russian proletarian architecture present us are not only based on pure imagination, but their construction would, if they were fitted for realization, entail enormous waste of space and materials. The dwelling complex 'Wolkenbügel' [architecture, designed by Lissitzky, with the help of [ w:Emil Roth - Swiss architect, 1924] (assuming that one could live here without either freezing or melting!), shaped like a 4, stands in a very un-constructive way on three legs in which the elevators are located. The latter take up as much space as would one or more skyscrapers. And these 'architects' are to teach the West what architecture is!
Theo van DoesburgRelated topics
architecture complex entail fit freezing help live present pure realization space take teach three waste way west legs projects RothRelated quotes
The leading Nazis were divided as a rule between the three normal German points of view in regard to external policy. Some wanted an accommodation with France, some wanted to come to terms with Great Britain at the expense of France, and the third and most active group were trying to get an alliance with Soviet Russia against the whole of the West. I knew that [Eric] Koch was the chief advocate of this last policy. He took pains to keep in personal touch with Russian emissaries. He wanted to go to Russia himself. Assuming that I had Hitler's ear on questions of eastern policy, he repeatedly asked me to put forward his ideas in talking to Hitler.
Hermann Rauschning
The average Russian of mature age today may some day have the moral satisfaction of seeing his government exercise a power unprecedented in history over the land masses of Asia and Europe. But it is not likely that he will ever know the comforts, in the line of housing, clothing, and other conveniences of civilized living, comparable to those that have existed in the advanced countries of the West. That renunciation of comfort is his involuntary contribution to something: either to the future comfort of his own children or to the increased military power of Russia. He hopes - and we hope with him - that it will not be only the latter.
George F. Kennan
The significance of the Falklands War was enormous, both for Britain's self-confidence and for our standing in the world...We had come to be seen by both friends and enemies as a nation which lacked the will and the capability to defend its interests in peace, let alone in war. Victory in the Falklands changed that. Everywhere I went after the war, Britain's name meant something more than it had. The war also had real importance in relations between East and West: years later I was told by a Russian general that the Soviets had been firmly convinced that we would not fight for the Falklands, and that if we did fight we would lose. We proved them wrong on both counts, and they did not forget the fact.
Margaret Thatcher
First were the thick stone walls, the arches, then the domes and vaults - of the architect, searching out for wider spaces.
Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions.
A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today's architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene.
Oscar Niemeyer
There is no pure visualization in the sense of a priori philosophies; every visualization is determined by previous sense perceptions, and any separation into perceptual space and space of visualization is not permissible, since the specifically visual elements of the imagination are derived from perceptual space. What led to the mistaken conception of pure visualization was rather an improper interpretation of the normative function... an essential element of all visual representations. Indeed, all arguments which have been introduced for the distinction of perceptual space and space of visualization are base on this normative component of the imagination.
Hans Reichenbach