And I learned very early [Josef Albers was then ten years old] how to make imitation of wood grain. This is something I have in common with Georges Braque. Braque also learned very early from his father how to imitate marble or wood grain. So I could easily make the appearance of oak or walnut on pine. That is very easy; a very simple technique. And I learned how to imitate marble. I never made such a good joke as Braque did. When he was in the Mediterranean he fooled his friends. He painted a rowboat that had wood on one side and marble on the other side. You see, when he'd row out of the city it looked as if he were in a boat of a different material than when he came back, you see, one side was imitation wood and the other side was imitation marble.
Josef AlbersRelated topics
appearance boat came city common different early easy father good grain joke mediterranean row see side simple something technique ten wood Friends years Albers Braque GeorgesRelated quotes
[David Sylvester asked Gottlieb, he is aware of the impact of the city New York on his painting:] Definitely I am. When I was in Paris last spring, my original plan was to go for four months and to paint there, and a number of people urged me to stay. That wanted to see what would happen, how my painting would change. But I felt strongly after being there less than a month that it was necessary for me to come back to New York, because I feel a certain rhythm in New York I don't feel in Paris.... there is a tempo in the life of New York which is exhilarating and I feel that this gets into one's painting. It's the pulse, not the look. I'am not involved with the external appearance of the city; it's the vibrations. ].
Adolph Gottlieb
Roswell Gardiner has never wavered in his faith, from the time when his feelings were awakened by the just view of his own insignificance, as compared to the power of God! He then learned the first, great lesson in religious belief, that of humility; without which no man can be truly penitent, or truly a Christian. He no longer thought of measuring the Deity with his narrow faculties, or of setting up his blind conclusions, in the face of positive revelations. He saw that all must be accepted, or none; and there was too much evidence, too much inherent truth, a morality too divine, to allow a mind like his to reject the gospel altogether. With Mary at his side, he has continued to worship the Trinity, accepting its mysteries in an humble reliance on the words of inspired men.
James Fenimore Cooper
I have been to [the gallery] Hagen, saw two Matisses, which enchanted me. A large collection of Japanese masks. Sublime! 'Neue [Künstler] Vereinigung' were hung in a bad light. ... Kandinsky, Jawlensky, Bechteleff and Erbslöh have immense artistic sensibility. But the means of expression are to big for what they have to say. The sound of their voice is so good, so fine, that what is being said get lost. Consequently a human element is missing. They concentrate, too much, I think, on form. There is much to be learnt from their efforts. But early things by Kandinsky, and a few by Jawlensky too, seem a little empty to me. And Jawlensky's heads looked at me a little bit too much with colors. With blue and green. I hope you understand what I mean.
August Macke
A simple fact entered my head one day and put an end to my revolt against the Deity. It occurred to me that God was not engaged in corrupting the mind of man but in creating it. This may sound like no fact at all, or like the most childish of quibbles. But whatever it is, it brought me a sigh of relief, a slightly bitter sigh. I was relieved because instead of beholding a man as a finished and obviously worthless product, unable to bring sanity into human affairs, I looked on him (in my conversion) as a creature in the making. And lo, I was aware that like my stooped and furry brothers, the apes, I am God's incomplete child. My groping brain, no less than my little toe, is a mechanism in His evolution-busy hands.
Ben Hecht
A long decade ago economic growth was the reigning fashion of political economy. It was simultaneously the hottest subject of economic theory and research, a slogan eagerly claimed by politicians of all stripes, and a serious objective of the policies of governments. The climate of opinion has changed dramatically. Disillusioned critics indict both economic science and economic policy for blind obeisance to aggregate material "progress," and for neglect of its costly side effects. Growth, it is charged, distorts national priorities, worsens the distribution of income, and irreparably damages the environment. Paul Erlich speaks for a multitude when he says, "We must acquire a life style which has as its goal maximum freedom and happiness for the individual, not a maximum Gross National Product."
James Tobin