I love the song ["Haters"]. I wrote it, it was my idea. I think at the time I was feeling like I had to talk so much about my personal life because people make accusations and there are lies and rumors constantly. I think that song really just came to me because I was feeling like people are so negative. They love to read what's coming out next on Page Six [of the New York Post] and I just felt like it was appropriate. I also felt like normal girls could relate to that, what with school and how people backstab each other and talk bad about each other and how much petty stuff goes on.
Hilary DuffRelated topics
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It is a fearful thing to hate whom God hath loved. To look upon another-his weaknesses, his sins, his faults, his defects is to look upon one who is suffering. He is suffering from negative passions, from the same sinful human corruption from which you yourself suffer. This is very important: do not look upon him with judgmental eyes of comparison, noting the sins you assume you'd never commit. Rather, see him as a fellow sufferer, a fellow human being who is in need of the very healing of which you are in need. Help him, love him, pray for him do unto him as you would have him do unto you.
Tikhon of Zadonsk
I could never aspire to Syd's crazed insights and perceptions. In fact for a long time I wouldn't have dreamt of claiming any insights whatsoever. I'll always credit Syd with the connection he made between his personal unconscious and the collective group unconscious. It's taken me 15 years to get anywhere near there. Even though he was clearly out of control when making his two solo albums, some of the work is staggeringly evocative. It's the humanity of it all that's so impressive. It's about deeply felt values and beliefs. Maybe that's what 'Dark Side of the Moon' was aspiring to. A similar feeling.
Roger Waters
At that time (last Spring) I did not consider this medium to be of any signal importance in the world of art; merely a very amusing stunt cleverly executed.... However, wishing to return to Paris, I felt it would be quite justifiable to have an exhibition here, where "clever stunts" are highly appreciated, so I came over 3 months ago and set to work, carving wood and twisting wire. These new studies in wire, however, did not remain the simple modest little things I had done in New York. They are still simple, more simple than before; and therein lie the great possibilities which I have only recently come to feel for the wire medium.
Alexander Calder
Some painters [of the New York School], including myself, do not care what chair they are sitting on. It does not even have to be a comfortable one. They are too nervous to find out where they ought to sit. They do not want to 'sit in style'. Rather, they have found that painting - any kind of painting, any style of painting - to be painting at all, in fact - is a way of living today, a style of living, so to speak. That is where they form of it lies. It is exactly in its uselessness that it is free. Those artists do not want to conform. They only want to be inspired.
Willem de Kooning
I was once interviewed in Italy and the headline of the interview the next day was wonderful. I saved this for my collection it was... "YES we have a soul but it's made of lots of tiny robots" and I thought that's exactly right. Yes we have a soul, but it's mechanical. But it's still a soul, it still does the work that the soul was supposed to do. It is the seat of reason. It is the seat of moral responsibility. It's why we are appropriate objects of punishment when we do evil things, why we deserve the praise when we do good things. It's just not a mysterious lump of wonder stuff... that will out live us.
Daniel Dennett