I have a message for anyone coming to the Ozzfest this summer (Summer, 2000): If you're planning to jump up onstage during my set, please do not give me any bear hugs, because they fucking hurt. Listen to me, I'm dead serious. On the first night of last year's tour, this enormous guy jumped up onstage and gave me a huge bear hug. He crushed 3 of my ribs and I had to do the whole tour in absolute agony. I couldn't believe it, the first fucking show!
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I've seen a lot of patriots and they all died just like anybody else if it hurt bad enough and once they were dead their patriotism was only good for legends it was bad for their prose and made them write bad poetry. If you are going to be a great patriot i.e. loyal to any existing order of government (not one who wishes to destroy the existing for something better) you want to be killed early if your life and works won't stink.
Ernest Hemingway
My feelings were reaffirmed during the summer of 1968 as a result of the lingering stench of racism in Savannah and the assassination of Bobby Kennedy. No matter what the reasons were, I closed out the sixties as one angry young man waiting on the revolution that I was certain would soon come. I saw no way out. I, like many others, felt the deep chronic agony of anomie and alienation. All seemed to be defined by race. We became a reaction to the 'man', his ominous reflection.
Clarence Thomas
I was very interested in the reproductions of your [ Calder's ] sculptures. I have looked at them many times [Calder sent him], and they are something completely unexpected. You are taking a path full of great possibilities. Bravo! Sculpture is of enormous interest to me right now. For the last two years [1944-46], during summer vacation, that's all I have been doing and it's very good for a painter to get away from the old story of canvas and frame every now and again.
Joan Miró
The immaterial Blue colour shown at Iris Clert's in April [1958, together with Jean Tinguely ] had in short made me inhuman, had excluded me from the world of tangible reality; I was an extreme element of society who lived in space and who had no means of coming back to earth. Jean Tinguely saw me in space and signaled to me in speed to show me the last machine to take to return to the ephemerality of material life.
Yves Klein
Say anything you want against The Seventh Seal. My fear of death - this infantile fixation of mine - was, at that moment, overwhelming. I felt myself in contact with death day and night, and my fear was tremendous. When I finished the picture, my fear went away. I have the feeling simply of having painted a canvas in an enormous hurry - with enormous pretension but without any arrogance. I said, 'Here is a painting; take it, please.'
Ingmar Bergman
