![If you saw the first painted color-studies that I made when I came here to Nuenen [1883] - and the present canvas [1885] - side by side - I think you'd see that as far as colour is concerned - things have livened up. I think that the question of the breaking of colours in the relationships of the colours will occupy you too one day. For as an art expert and critic, one must also, it seems to me - be sure of one's ground and have certain convictions. At least for one's own pleasure and to be able to give reasons, and at the same time one must be able to explain it in a few words to others, who sometimes turn to someone like you for enlightenment when they want to know something more about art. (Vincent van Gogh)](https://cdn.quotesdtb.com/img/quotes_images_webp/32/vincent-van-gogh-able-473332.webp)
If you saw the first painted color-studies that I made when I came here to Nuenen [1883] - and the present canvas [1885] - side by side - I think you'd see that as far as colour is concerned - things have livened up. I think that the question of the breaking of colours in the relationships of the colours will occupy you too one day. For as an art expert and critic, one must also, it seems to me - be sure of one's ground and have certain convictions. At least for one's own pleasure and to be able to give reasons, and at the same time one must be able to explain it in a few words to others, who sometimes turn to someone like you for enlightenment when they want to know something more about art.
Vincent van GoghRelated topics
able art breaking came certain day far few ground pleasure present question saw see side something sure turn others someone words things coloursRelated quotes
I had translated the first twelve books of the Odyssey. For a while I learnt English also, merely so as to gain an accurate knowledge of Shakespeare; and I made a metrical translation of Romeo's monologue. Though I soon left English on one side, yet Shakespeare remained my exemplar, and I projected a great tragedy which was almost nothing but a medley of Hamlet and King Lear. The plan was gigantic in the extreme; two- and-forty human beings died in the course of this piece, and I saw myself compelled, in its working-out, to call the greater number back as ghosts, since otherwise I should have been short of characters for my last Acts. This play occupied my leisure for two whole years.
Richard Wagner
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day: to paint the man, in short, as well as his features; in arrangement of colours to treat a flower as his key, not as his model. This is now understood indifferently well – at least by dressmakers. In every costume you see attention is paid to the key-note of colour which runs through the composition, as the chant of the Anabaptists through the 'Prophète', or the Hugenots' hymn in the opera of that name.
James McNeill Whistler
What is the "cost of capital" to a, firm in a world in which funds are used to acquire assets whose yields are uncertain; and in which capital can be obtained by many different media, ranging from pure debt instruments, representing money-fixed claims, to pure equity issues, giving holders only the right to a pro-rata share in the uncertain venture? This question has vexed at least three classes of economists: (1) the corporation finance specialist concerned with the techniques of financing firms so as to ensure their survival and growth; (2) the managerial economist concerned with capital budgeting; and (3) the economic theorist concerned with explaining investment behavior at both the micro and macro levels.
Merton Miller
Always fatuity, vulgarity, as soon as human passion is touched. [...] Just as some poetry is of the eye (form, colour) and some of the ear, so Keats is of the palate. Not only has he constant reference to its pleasures, but the general sensation after reading him is one of tasting. 'What's the harm?' Well, taste for some reason or the other can't carry one far into the world of beauty-that reason being perhaps that though you don't want comradership there you do want the possibility of comradership, and A cannot swallow B's mouthful by any possibility:.... and this exclusiveness (to maunder on) also attaches to the physical side of sex though not the least to the spiritual.
E. M. Forster
If there was anything, anything more at all, after this crazy mix-up we call living, I could feel that there might be some point to the whole frantic business, even if I did not know and could not know the full answer while I was alive.”
"And suppose there was not? Suppose that when a man's body disintegrates, he himself disappears absolutely. I'm bound to say I find it a probable hypothesis.”
"Well- It wouldn't be cheerful knowledge, but it would be better than not knowing. You could plan your life rationally, at least. A man might even be able to get a certain amount of satisfaction in planning things better for the future, after he's gone. A vicarious pleasure in the anticipation.
Robert A. Heinlein