![With the black ones [his 'Black Paintings'] I was interested in getting complexity without their revealing much – in the fact that there was much to see but not much showing. I wanted to show a painting that could have the dignity of not calling attention to itself. In both the blacks and the whites [paintings] there was none of the familiar aggressiveness of art that says, 'Well, here it is, whether you like it or not. (Robert Rauschenberg)](https://cdn.quotesdtb.com/img/quotes_images_webp/11/robert-rauschenberg-art-attention-455211.webp)
With the black ones [his 'Black Paintings'] I was interested in getting complexity without their revealing much – in the fact that there was much to see but not much showing. I wanted to show a painting that could have the dignity of not calling attention to itself. In both the blacks and the whites [paintings] there was none of the familiar aggressiveness of art that says, 'Well, here it is, whether you like it or not.
Robert RauschenbergRelated topics
art attention black calling complexity dignity getting none ones revealing see showing show well aggressivenessRelated quotes
A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.
Ursula K. Le Guin
Yes, yes, I see it all! - an enormous social activity, a mighty civilization, a profuseness of science, of art, of industry, of morality, and afterwords, when we have filled the world with industrial marvels, with great factories, with roads, museums and libraries, we shall fall exhausted at the foot of it all, and it will subsist - for whom? Was man made for science or was science made for man?
Miguel de Unamuno
No academy could have given me all I discovered by getting my teeth into the exhibitions, the shop windows, and the museums of Paris . Beginning with the market - where, for lack of money, I bought only a piece of a long cucumber - the workman in his blue overall, the most ardent followers of Cubism, everything showed a definite feeling for proportion, clarity, an accurate sense of form, of a more painterly kind of painting, even in the canvases of second-rate artists.
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The general misunderstanding of a work of art is often due to the fact that the key to its spiritual content and technical means is missed. Unless the observer is trained to a certain degree in the artistic idiom, he is apt to search for things which have little to do with the aesthetic content of a picture. He is likely to look for pure representational values when the emphasis is really upon music-like relationships.
Hans Hofmann
In fact a man in love or one consumed with hatred creates symbols for himself, as a superstitious man does, from a passion of conferring uniqueness on things or persons. A man who knows nothing of symbols is one of Dante's sluggards. This is why art mirrors itself in primitive rites or strong passions, seeking for symbols, revolving round the primitive taste for savagery, for what is irrational.
Cesare Pavese