![A filmed play like this doesn't offer the sensual enjoyment that movies can offer, but you don't go to it for that; you go for O'Neill's crude, prosaic virtuosity, which is also pure American poetry, and for the kind of cast that rarely gathers for a stage production. [...] Larry, a self-hating alcoholic, is a weak man and a windbag, but Ryan brings so much understanding to Larry's weakness that the play achieves new dimensions. Ryan becomes O'Neill for us; he has O'Neill's famous "tragic handsomeness" and at the end, when Larry is permanently "iced" - that is, stripped of illusion - we can see that this is the author's fantasy of himself [...] Fredric March interprets Harry Hope with so much quiet tenderness that when Harry regains his illusions and we see March's muscles tone up, we don't know whether to smile for the character or the actor. (Pauline Kael)](https://cdn.quotesdtb.com/img/quotes_images_webp/71/pauline-kael-actor-alcoholic-453571.webp)
A filmed play like this doesn't offer the sensual enjoyment that movies can offer, but you don't go to it for that; you go for O'Neill's crude, prosaic virtuosity, which is also pure American poetry, and for the kind of cast that rarely gathers for a stage production. [...] Larry, a self-hating alcoholic, is a weak man and a windbag, but Ryan brings so much understanding to Larry's weakness that the play achieves new dimensions. Ryan becomes O'Neill for us; he has O'Neill's famous "tragic handsomeness" and at the end, when Larry is permanently "iced" - that is, stripped of illusion - we can see that this is the author's fantasy of himself [...] Fredric March interprets Harry Hope with so much quiet tenderness that when Harry regains his illusions and we see March's muscles tone up, we don't know whether to smile for the character or the actor.
Pauline KaelRelated topics
actor cast character end fantasy hope kind larry man offer play production pure quiet smile strip understanding virtuosity weakness O'Neill moviesRelated quotes
The Qur'an is not a book of abstract theories and cold ideas, which one can grasp while seated in a cozy armchair. Nor is it merely a religious book like other religious books, whose meanings can be grasped in seminaries and oratories. On the contrary, it is a Book which contains a message, an invitation, which generates a movement. The moment it began to be sent down, it impelled a quiet and pious man to abandon his life of solitude and confront the world that was living in rebellion against Allah. It inspired him to raise his voice against falsehood, and pitted him in a grim struggle against the lords of disbelief, evil and iniquity. One after the other, from every home, it drew every pure and noble soul, and gathered them under the banner of truth. In every part of the country, it made all the mischievous and the corrupt to rise and wage war against the bearers of the truth.
Abul Ala Maududi
When Gallienus received the intelligence that his capital was delivered from the barbarians, he was much less delighted than alarmed with the courage of the senate, since it might one day prompt them to rescue the public from domestic tyranny as well as from foreign invasion. His timid ingratitude was published to his subjects, in an edict which prohibited the senators from exercising any military employment, and even from approaching the camps of the legions. But his fears were groundless. The rich and luxurious nobles, sinking into their natural character, accepted, as a favor, this disgraceful exemption from military service; and as long as they were indulged in the enjoyment of their baths, their theatres, and their villas, they cheerfully resigned the more dangerous cares of empire to the rough hands of peasants and soldiers.
Edward Gibbon
Thus we must carefully distinguish between two kinds of reality, one which has an individual character, and one which has a universal appearance... It is, however, wrong to think that the non-figurative artist finds impressions and emotions received from the outside useless, and regards it even as necessary to fight against them... It is equally wrong to think that the non-figurative artist creates through 'the pure intention of his mechanical process', that he makes 'calculated abstractions' and that he wish to 'suppress sentiment not only in himself but in the spectator'... It is thus clear that he has not become a mechanic, but that the progress of science, of technique, of machinery, of life as a whole, has only made him into a living machine, capable of realizing in a pure manner the essence of art.
Piet Mondrian
Undue cultivation of the inward or Dynamical province leads to idle, visionary, impracticable courses, and, especially in rude eras, to Superstition and Fanaticism, with their long train of baleful and well-known evils. Undue cultivation of the outward, again, though less immediately prejudicial, and even for the time productive of many palpable benefits, must, in the long-run, by destroying Moral Force, which is the parent of all other Force, prove not less certainly, and perhaps still more hopelessly, pernicious. This, we take it, is the grand characteristic of our age. By our skill in Mechanism, it has come to pass, that in the management of external things we excel all other ages; while in whatever respects the pure moral nature, in true dignity of soul and character, we are perhaps inferior to most civilised ages.
Thomas Carlyle
Demiurgus [said my father] was enamoured of refined, perfect, and sophisticated materials. We give precedence to junk. We are simply rapt by it, entranced by the cheapness, the paltriness, the tawdriness of the material. Do you understand,” my father asked, "the profound meaning of that weakness, that passion for gaudy tissue-paper, papier-mâ ché, coloured lacquer, straw, and sawdust? It is,” he said with a pained smile, "our love for matter as such, for its downiness and porousness, its unique, mystical consistency. Demiurgus, that renowned master and artist, hides it away, causes it to vanish behind life's make-believe. We, to the contrary, love its abrasiveness, its unruliness, its rag doll ungainliness. Behind each gesture, each movement, we like to see its exertion, its torpor, its sweet ursinality.
Bruno Schulz
