![I have a garden and across the road, a park. I never go for walks, but I look out the window and 'ask for permission' [to paint the view] as I call it. If I need some green, I find it there. In that sense, I'm a very old-fashioned painter, tied to nature. But I remain modern in that I execute some rather impious structures. I will react if I feel that my paintings, though abstract, become too naturalistic. I have another studio in Italy and I worked a lot there this summer. I still depend on my surroundings, so some of my work was very influenced by the Italian landscape, its olive trees and the very cold green color of the leaves. You could identify the specific landscape in those paintings and it drove me crazy. So I had to destroy them. But even destruction can still help underline what is good about a picture. (Per Kirkeby)](https://cdn.quotesdtb.com/img/quotes_images_webp/56/per-kirkeby-abstract-across-852956.webp)
I have a garden and across the road, a park. I never go for walks, but I look out the window and 'ask for permission' [to paint the view] as I call it. If I need some green, I find it there. In that sense, I'm a very old-fashioned painter, tied to nature. But I remain modern in that I execute some rather impious structures. I will react if I feel that my paintings, though abstract, become too naturalistic. I have another studio in Italy and I worked a lot there this summer. I still depend on my surroundings, so some of my work was very influenced by the Italian landscape, its olive trees and the very cold green color of the leaves. You could identify the specific landscape in those paintings and it drove me crazy. So I had to destroy them. But even destruction can still help underline what is good about a picture.
Per KirkebyRelated topics
abstract across ask call cold color crazy find garden good green help leaves nature need old-fashioned olive paint park picture react remain road sense specific studio summer underline view window workRelated quotes
What I really want to do, it seems, is to paint a single form in the middle of a canvas... That's all a painter is, an image maker, is he not? And one would be a fool, some kind of fool, to want to paint a picture. The most powerful instinct is to paint a single form in its continuity, which is after all what a face is. This happens constantly on a picture. I remember last year I became so nervous about what I was doing that I finally reduce it down to the can on the palette with brushes in it. Well, that's real, tat can with brushes. And I painted the an with brushes sticking in it, and I couldn't tolerate it. I couldn't face it. It was as if it didn't contain enough of my thoughts or feelings about it.... I became signs. Exactly.... It seemed to become signs and symbols and I don't like signs.
Phillip Guston
It is my burning desire to help Christians get back to a simple faith in God's Word. Satan's method has always been to instill [sic] doubt in God's Word. The first sentence that came from Satan that is recorded for us in the Bible is: "Yea, hath God said?” He started by questioning God's Word in the garden of Eden. It worked there so he has used it ever since. In the twentieth century the major attack Satan has launched has been against the first eleven chapters of Genesis. He knows that the entire Bible stands or falls on the validity of these chapters. I believe that the Bible is the infallible, inerrant, inspired, perfect Word of God. I believe that the Bible needs to be read and believed as it stands. Christians are often guilty of neglecting or twisting the Bible to fit their lifestyle or their preconceived ideas.
Kent Hovind
You have the opportunity to be more than spectators, you can be actors in the revolution, writing about it, expressing yourselves about it. And the generations to come, what will they ask of you? You might produce magnificent artistic works from a technical point of view, but if you were to tell someone from the future generation, 100 years from bow, that a writer, an intellectual, lived in the era of the revolution and did not write about the revolution, and was not a part of the revolution, it would be difficult for a person in the future to understand this. In the years to come there will be so many people who will want to paint about the revolution, to write about the the revolution, to express themselves on the revolution, compiling data an information in order to know what it was like, what happened, how we used to live.
Fidel Castro
Decoration. Very rapidly executed, at one go, spontaneously [reflection of making a mural on the site for the terrace plaza hotel in Cincinnati]. What takes a long time in my case is the work of silent reflection; it is impossible for me to predict the duration of this preparatory period. You have to keep in mind that it is by no means a matter of just doing a large picture, and though it will not be possible to paint a true mural by attacking the wall directly, in fresco, to do so will require persistence while maintaining, as much as possible, the spirit of the great tradition of mural painting. I shall have to go to Cincinnati in advance as soon as I can, to view the architecture and its environs, because otherwise I would only create an easel painting in large format.
Joan Miró
No, the Great Man does not boast himself sincere, far from that; perhaps does not ask himself if he is so: I would say rather, his sincerity does not depend on himself; he cannot help being sincere! The great Fact of Existence is great to him. Fly as he will, he cannot get out of the awful presence of this Reality. His mind is so made; he is great by that, first of all. Fearful and wonderful, real as Life, real as Death, is this Universe to him. Though all men should forget its truth, and walk in a vain show, he cannot. At all moments the Flame-image glares in upon him; undeniable, there, there!-I wish you to take this as my primary definition of a Great Man. A little man may have this, it is competent to all men that God has made: but a Great Man cannot be without it.
Thomas Carlyle