Painting is laying layer upon layer. Without exception it is fundamental to all painted pictures even if they look as if they were done in one movement. The movement has always crossed its own track somewhere. It is easy to understand that a picture is layer upon layer when it comes to Picabia's puzzle pictures or my own material works, but it is difficult with the 'synchronos'. By the 'synchronous' I mean all those pictures where all the layers aim at the same picture, where the under-painting and following layers – glazed or not – fall on top of each other. The 'unsynchronous' are the ones where each new layer is a new picture. It is like geological strata with cracks and discordances. But each new layer, however furious, is always infected and coloured by the underlying one. Even when it is slates where the previous payer is completely removed physically, wiped off.
Per KirkebyRelated topics
aim comes done easy exception fall following fundamental layer mean off ones picture somewhere strata top works glazedRelated quotes
One, a caliphate is a global government, and you know that's where we're headed. Everybody is headed now towards a global government. Well, so are the Islamic extremists, except theirs is Sharia law and infidels will be beheaded. The Shiite Muslims, the ones in Iran, believe in - and not all of them, not the people necessarily on the street - but the real radicals, the revolutionaries and the people at the very top are called Twelvers. They believe in the Twelfth Imam. And that will - that Twelfth Imam, when he returns, he will set up a global caliphate in ancient Babylon. This one should gravely concern you because he has all of the earmarks - in their own writings - of an antichrist, or the Antichrist. I don't know if he is or not. But there are those who will just claim, you know, he's the Twelfth Imam, et cetera et cetera. And the way to get there is global chaos.
Glenn Beck
It was the White Race who produced men like Columbus who crossed the unknown Atlantic; men like Magellan who first circumnavigated the globe; men like Michaelangelo, Leonardo da Vinci, Rembrandt, Velazquez, Bernini, Rubens, Raphael and thousands of other geniuses who created beautiful and exquisite productions in the fields of sculpture and painting; geniuses like Beethoven, Bach, Wagner and Verdi who created beautiful music; men like James Watt who invented the steam engine; men like Daimler who invented and built the reciprocating internal combustion engine; production geniuses like Henry Ford, inventors like Thomas Edison; such a prodigal genius as Nikola Tesla in the field of physics and electricity; literary geniuses like Shakespeare, Goethe and thousands of others, untold geniuses in the fields of mathematics, in the fields of chemistry and physics.
Ben Klassen
Ancient scriptures tell us that man is more than the physical body. In fact, we have two bodies: the physical and the astral, or subtle. But we are the soul! According to the ancient Vedic scriptures of India, the size of the soul is 1/10,000 the tip of a strand of hair. It is located in the heart region and is the actual life force. The physical, as well as the astral or subtle body, acts as a covering or costume that the soul wears in its journey throughout the material sphere. As we pass from costume to costume or from body to body through the process known as reincarnation, the impressions of previous lives imprint themselves on the subtle body and are carried with us during each lifetime. In the dream state, activity in the subtle body becomes more dominant than activity in the physical body. Our dream experiences are often impressions accumulated from many lifetimes.
Bhakti Tirtha Swami
In art, origin and value cannot be treated as independent. Those who enjoy poetry and painting must be at least dimly aware of a poet beyond the poem and a painter beyond the picture. If by some unimaginable process works of beauty could be produced by machinery, as a symmetrical colour pattern is produced by a kaleidoscope, we might think them beautiful till we knew their origin, after which we should be rather disposed to describe them as ingenious. And this is not, I think, because we are unable to estimate works of art as they are in themselves, not because we must needs buttress up our opinions by extraneous and irrevelant considerations; but rather because a work of art requires an artist. not merely in the order of natural causation, but as a matter of a-sthetie necessity. It conveys a message which is valueless to the recipient, unless it be understood by the sender. It must be expressive.
Arthur Balfour
Once helium burning has occurred... the next possible reaction-carbon burning-is not necessarily slow... This reaction involves ...a strong as opposed to a weak interaction. ...Carbon burning results in magnesium. ...Taking a cross section of a highly evolved star would reveal a system of many layers. The inner layers have been subjected to the largest pressures, thereby forced to the highest temperatures, and burned the furthest; the outermost layers, by contrast, have not burned at all. Thus, as we proceed from outside in, there will be an outermost layer with the initial mix of hydrogen and helium, a layer of mostly helium, a layer of carbon, a layer of magnesium, and so on. ...So we arrive at the picture of a star, in the latest stages of its evolution... now composed of mostly carbon nuclei and other explosive material.
Frank Wilczek