In this painting ['Moscow'], I was in fact in quest for a certain hour, which was and which remains always the most beautiful hour of the day in Moscow. The sun is already low and has reached its highest force, which it has searched all the day, to which it has aspired all the day... The sun dissolves all Moscow in a spot, which as a frenzied tuba makes entered into vibration all the inner being, the whole soul... Rendering this hour seemed the biggest, the most impossible of the happiness for an artist. These impressions renewed every sunny day. They brought me a joy which shattered me until the bottom of the soul, and which reached until ecstasy.
Wassily KandinskyRelated topics
beautiful bottom certain day ecstasy force frenzy happiness hour impossible joy low rendering soul spot sun tuba vibration remainsRelated quotes
Probably the biggest difference- the thing that really took my life and changed it, and made my relationship with the press a defensive one instead of one of tolerant amusement or whatever- was Meg Ryan. And, gee whiz, I'm not going to apologize for that situation in my life. It's just there. Well, actually, that's wrong- I would apologize if there are people that were directly hurt from that situation. There was never any intention like that. Quite frankly, it was in the papers before it was a reality, you know? So we were already having to deal with the bullshit, and that possibly brought us close together, because we were both dealing with what it meant to be put in that situation.
Russell Crowe
However dreary we may have felt life to be here, yet when that hour comes - the winding up of all things, the last grand rush of darkness on our spirits, the hour of that awful sudden wrench from all we have ever known or loved, the long farewell to sun, moon, stars, and light - brother man, I ask you this day, and I ask myself humbly and fearfully, "What will then be finished? When it is finished, what will it be? Will it be the butterfly existence of pleasure, the mere life of science, a life of uninterrupted sin and self-gratification, or will it be, 'Father, I have finished the work which Thou gavest me to do?'"
Frederick William Robertson
Miro came of age as an artist just at the time World War 1. ended. With the end of the war came the end of all the new pre-war art conceptions. A young painter could not start as a Cubist or a Futurist, and Dada was the only manifestation at the moment. Miro began by painting farm scenes from the countryside of Barcelona, his native land... A few years later he came to Paris [circa 1914] and found himself among the Dadaists who were, at that time, transmuting into Surrealism. In spite of this contact Miró kept aloof from any direct influence and showed a series of canvases in which form submitted to strong colouring expressed a new two-dimensional cosmogony, in no way related to abstraction.
Marcel Duchamp
In relations with others, one should express resentment and anger openly and straightforwardly. If one cannot express them openly and straightforwardly, the only thing to do is forget about them. To harbor grievances in one's heart, awaiting some later opportunity to give vent to them, is to act like a weak and petty man-in truth, it can only be called cowardice. The mind of the superior man is like Heaven. When it is resentful or angry, it thunders forth its indignation. But once having loosed its feelings, it is like a sunny day with a clear sky: within the heart there remains not the trace of a cloud. Such is the beauty of true manliness.
Yoshida Shoin
What I have created here in Italy is neither very big nor profound (in the old sense of the word), but formidable. This summer I painted paintings that are the most profound that exist in the absolute. Let me explain these things somewhat.. .. profoundness as I understand it, and as Nietzsche intended it, is elsewhere than where it has been searched for until now. – My paintings are small (the biggest is 50 x 70 cm), but each of them is an enigma, each contains a poem, an atmosphere (Stimmung) and a promise that you can not find in other paintings. It brings me immense joy to have painted them – when I exhibit them, possibly in Munich this spring, it will be a revelation for the whole world.
Giorgio de Chirico