Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."
Jasper JohnsRelated topics
act art complex field found form impressionism interplay kill language technical thought thinking vision visual work marcel DuchampRelated quotes
A common habit of thought... is the idea that space is [a] simple receptacle in which bodies move around, with no two bodies present at the same point. ...In modern quantum physics generally, and in the standard model of fundamental physics in particular, physical space appears as a far more flexible framework. Many kinds of particles can be present at the same point in space at the same time. Indeed, the primary ingredients of the standard model are not particles at all, but an abundance of quantum fields, each a complex object in itself, and all omnipresent.
Frank Wilczek
If it recedes one day, leaving behind its works and signs on the shores of our civilization, the structuralist invasion might become a question or the historian of ideas, or perhaps even an object. But the historian would be deceived if he came to this pass: by the very act of considering the structuralist invasion as an object he would forget its meaning and would forget that what is at stake, first of all,, is an adventure of vision, a conversion of the way of putting questions to any object posed before us, to historical objects-his own- in particular. And, unexpectedly among these, the literary objects.
Jacques Derrida
Art is not to be looked at. Art is looking at us. What is art to others is not necessarily art to me. Nor for the same reason and vice versa. What was art to me or was not some time ago might have lost that value or gained it in the meantime and maybe again though art is not an object but experience. To be able to perceive it we need to be receptive. Therefore art is there where art meets us now. The content of art is visual formulation of our relation to life. The measure of art, the ratio of effort to effect, the aim of art revelation and evocation of vision.
Josef Albers
I was convinced before the war started that it was a great disaster, a great wrong. Even after the campaign in Poland my conviction didn't change because on 3rd September, the third day of our going to war, the Western Powers had declared war on Germany. After the campaign in France in 1940 my conviction became uncertain, but when I heard one or two months after the armistice with France that now Hitler was to go with Russia, the old conviction came up again and it was at this moment that I changed the place of living for my family, moved them from Berlin to the place where they are today.
Walter Warlimont
Faculty Psychology is getting to be respectable again after centuries of hanging around with phrenologists and other dubious types. By faculty psychology I mean, roughly, the view that many fundamentally different kinds of psychological mechanisms must be postulated in order to explain the facts of mental life. Faculty psychology takes seriously the apparent heterogeneity of the mental and is impressed by such prima facie differences as between, say, sensation and perception, volition and cognition, learning and remembering, or language and thought.
Jerry Fodor