Received your letter and, almost at the same time, the long text at which I was overjoyed. You no doubt know that you are the only person in the world to have put together the gestation of the glass [ The Large Glass, circa 1923] in all its detail, including even the numerous intentions which were never executed [by Duchamp]. Your patient work has enabled me to relive a period of long years during which the notes were written for the 'Green Box' [the second of the three Boxes Duchamp created and this one was full of written notes] at the same time as the Glass [= The Large Glass] was taking shape. And I confess to you that, not having read these notes for a very long time, I had completely lost all recollection of numerous points not illustrated on the glass and which are a delight to me now. (Marcel Duchamp)

Received your letter and, almost at the same time, the long text at which I was overjoyed. You no doubt know that you are the only person in the world to have put together the gestation of the glass [ The Large Glass, circa 1923] in all its detail, including even the numerous intentions which were never executed [by Duchamp]. Your patient work has enabled me to relive a period of long years during which the notes were written for the 'Green Box' [the second of the three Boxes Duchamp created and this one was full of written notes] at the same time as the Glass [= The Large Glass] was taking shape. And I confess to you that, not having read these notes for a very long time, I had completely lost all recollection of numerous points not illustrated on the glass and which are a delight to me now.

Marcel Duchamp

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almost box delight doubt full gestation glass green having illustrated large letter lost now patient person read recollection second taking text three work write years Duchamp NOTES points

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You [ Katherine Sophie Dreier; director of the Art Center in New York City; she co-founded with Duchamp and Man Ray the 'Sociéte Anonyme' in Manhattan in 1920] must understand: My attitude toward the book is based upon my attitude towards 'Art' since 1918 – so I am furious myself that you will accept only partly that attitude [in a new publication by Katherine Dreier]. It can be no more question of my life as an artist's life: [because] I gave it up ten years ago; this period is long enough to prove that my intention to remain outside of any art manifestation is permanent... The third question is that I want to be alone as much as possible. This abrupt way to speak of my 'hardening process' is not meant to be mean, but is the result of '42 years of age'....10 000 apologies for this rough letter and affectueusement Dee. View quote
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