In discussing his work [the art of Marcel Duchamp, ] it is necessary to avoid overrating his silence. I hold him in a very high esteem, but I have to reject his silence. Duchamp was simply finished. He had run out of ideas; he was unable to come up with anything important... I would say that even the bourgeois tendencies in Duchamp's work – i. e., a form of provocative, bohemian behavior intended to 'épater le bourgeois'- follow the same path. Duchamp started out from here and wanted to shock the bourgeoisie, and because of that he destroyed his creative powers... The content of Duchamp's silence refers to the aim of leaving the subconscious passive, of developing it. This is the aspect of Duchamp, which is related to Surrealism. The surrealists asserted that they could live with their subconscious; they thought they were above reality, but instead they were beneath it. They thought they could fish in muddy waters.... but to my mind, the images which emerged have a repressive effect. (Joseph Beuys)

In discussing his work [the art of Marcel Duchamp, ] it is necessary to avoid overrating his silence. I hold him in a very high esteem, but I have to reject his silence. Duchamp was simply finished. He had run out of ideas; he was unable to come up with anything important... I would say that even the bourgeois tendencies in Duchamp's work – i. e., a form of provocative, bohemian behavior intended to 'épater le bourgeois'- follow the same path. Duchamp started out from here and wanted to shock the bourgeoisie, and because of that he destroyed his creative powers... The content of Duchamp's silence refers to the aim of leaving the subconscious passive, of developing it. This is the aspect of Duchamp, which is related to Surrealism. The surrealists asserted that they could live with their subconscious; they thought they were above reality, but instead they were beneath it. They thought they could fish in muddy waters.... but to my mind, the images which emerged have a repressive effect.

Joseph Beuys

Related topics

above aim anything art aspect bourgeois bourgeoisie content creative developing fish follow form high hold leaving live mind muddy necessary path provocative run silence subconscious thought work surrealism marcel Duchamp

Related quotes

The BNP isn't about selling out its ideas, which are your ideas too, but we are determined to sell them. Basically, that means to use saleable words – such as freedom, identity, security, democracy. [...] Once we're in a position where we control the British broadcasting media, then perhaps one day the British people might change their mind and say, 'yes, every last one must go'. But if you hold that out as your sole aim to start with, you're not going to get anywhere. So, instead of talking about racial purity, we talk about identity. [...] There's a difference between selling out your ideas and selling your ideas, and the British National Party isn't about selling out its ideas, which are your ideas too, but we are determined now to sell them, and that means basically to use the saleable words, as I say, freedom, security, identity, democracy. Nobody can criticise them. Nobody can come at you and attack you on those ideas. They are saleable.

Nicholas John Griffin

You are not traditionally beautiful; and you know it. We women do. But what most people mean by beauty is really a kind of aesthetic acceptability, not so much character as a lack of it, a set of features and lineaments that hide their history, that suggest history itself does not exist. But the template by which we recognize the features and forms in the human body that cause the heart to halt, threatening to spill us over into the silence of death-that is drawn on another part of the soul entirely...But all sing, chant, hymn the history of the body, if only because we all know how people regard bodies that deviate from the lauded and totally abnormal norm named beauty. Most of us would rather not recognize such desires in ourselves and thus avoid all contemplation of what the possession of such features means about the lives, the bodies, the histories of others, preferring instead to go on merely accepting the acceptable. But that is not who I am.

Samuel R. Delany

One way to clarify the origin and character, if not the justification, of the ideal inspiring our programmatic institutional ideas is to say that our program arises from the generalization of aims broadly shared by the great secular doctrines of emancipation of the recent past-both liberal and socialist-and by the social theories that supported them. At the heart of each of these doctrines lay the belief that the weakening of social divisions and hierarchies would reveal deeper commonalities and liberate productive and creative powers. The theoretical and practical consequences of this belief were drastically constricted by dogmatic assumptions about the possible forms of social change and their possible institutional expressions. We have attacked the second set of constraints and therefore, by implication, the first. The result is a more generalized or radicalized version of the social ideal. Our attack on these constraints has led us to rethink the content of the progressive cause.

Roberto Mangabeira Unger

You must understand that terrorists, although they may ultimately derive their financial resources or other assets from a government or governments, are theoretically stateless themselves - they're rather like international corporations, in their way - because they reject the idea of a state, they don't wish to be controlled by a state, they have had their state taken away from them or destroyed, they have been denied a chance to create a state of their own, or they were created to provide some government somewhere with what's called 'credible deniability'. When individuals not affiliated with a national government commit violent acts, they are - and ought to be dealt with as - criminals, nothing more and certainly nothing less. Rather than indiscriminately destroy entire nations full of innocent people in retaliation for the criminal behavior of a few, guilty individuals should be pursued and either killed, or captured, tried, and on conviction, appropriately punished.

L. Neil Smith

The art of self-transformation for the sake of developing practical capabilities seems to have a similar content in the most varied historical circumstances. The Mamluks and the Normans suffered defeat because they failed to open up and readjust the organizational and social contexts of warfare. The Seljuqs succeeded because they did just that. The West African coastal kingdoms used an extraneous technological advantage to avoid having to change radically. But they could neither go on the offensive against the savanna states nor prepare themselves to resist their European patrons and trading partners. In all these instances success seems to have required the dissociation and recombination of available models of the organizational and social context of military activity. To have succeeded would not have meant, for the Mamluks, becoming like the Ottomans; it would have meant creating an order that never existed before. To possess the alien, you must change it.

Roberto Mangabeira Unger