There are writers in commercial women's fiction who get really worked up, and they blog about [the label] and rail against the establishment. I can empathize and understand that frustration, but at the same time, it's a waste of energy. I look at what the readers and writers of the romance genre have done in creating a parallel universe where they sell millions of books to readers who know these writers are good. They don't need the stamp of approval. And what I love about my readers is that they are far more sophisticated, in my opinion, than most literary critics, and far less insecure. At the end of the day, people are reading my books and communicating directly with me, thanks to technology. (Alisa Valdes)

There are writers in commercial women's fiction who get really worked up, and they blog about [the label] and rail against the establishment. I can empathize and understand that frustration, but at the same time, it's a waste of energy. I look at what the readers and writers of the romance genre have done in creating a parallel universe where they sell millions of books to readers who know these writers are good. They don't need the stamp of approval. And what I love about my readers is that they are far more sophisticated, in my opinion, than most literary critics, and far less insecure. At the end of the day, people are reading my books and communicating directly with me, thanks to technology.

Alisa Valdes

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Sir John Mandeville [was] an encyclopedist whose mostly invented stories still ring true, thanks to his gift for writing the first realistic Western fiction since Petronius. We do not know who this man was or even what language he wrote in, but modern textual analysis suggests that he rarely left his study. Rather than travel, he scavenged and plagiarized the works of others, improving their prose as he claimed their discoveries. In a period of continental isolation, Mandeville satisfied Europe's appetite for news by making up an East that sounded real. In expanding editions and translations, his Voyages and Travels became the most popular prose book of the Middle Ages.

John Mandeville

You do not ask what is the value, or what is the use, of this feeling. Of what use is the universe? What is the practical application of a million galaxies? Yet just because it has no use, it has a use-which may sound like a paradox, but is not. What, for instance, is the use of playing music? If you play to make money, to outdo some other artist, to be a person of culture, or to improve your mind, you are not really playing-for your mind is not on the music. You don't swing. When you come to think of it, playing or listening to music is a pure luxury, an addiction, a waste of valuable time and money for nothing more than making elaborate patterns of sound.

Alan Watts

I think that for science fiction, fantasy, and even horror to some extent, the differences are skin-deep. I know there are elements in the field, particularly in science fiction, who feel that the differences are very profound, but I do not agree with that analysis. I think for me it is a matter of the furnishings. An elf or an alien may in some ways fulfill the same function, as a literary trope. It's almost a matter of flavor. The ice cream can be chocolate or it can be strawberry, but it's still ice cream. The real difference, to my mind, is between romantic fiction, which all these genres are a part of, and mimetic fiction, or naturalistic fiction.

George R. R. Martin

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Edgar Rice Burroughs

Thought reform is accomplished through the use of psychological and environmental control processes that do not depend on physical coercion. Today's thought reform programs are sophisticated, subtle, and insidious, creating a psychological bond that in many ways is far more powerful than gun-at-the-head methods of influence. The effects generally lose their potency when the control processes are lifted or neutralized in some way. That is why most Korean War POWs gave up the content of their prison camp indoctrination programs when they came home, and why many cultists leave their groups if they spend a substantial amount of time away from the group or have an opportunity to discuss their doubts with an intimate.

Margaret Singer