![About this time [c. 1812] Turner removed to Twickenham, where he purchased Sandycomb Lodge, near Richmond Bridge [London]. It was an unpretending little place, and the rooms were small. There were several models of ships in glass cases, to which Turner had painted a sea and background. They much resembled the large vessels in his sea pieces. Richmond scenery greatly influenced his style. The Scotch firs (or stone-pine) around are in most of his large classical subjects, and Richmond landscape is decidedly the basis of 'The Rise of Carthage'. Here he had a long strip of land, planted by him so thickly with willows that his father, who delighted in the garden, complained that it was a mere osier-bed. Turner used to refresh his eye with the run of the boughs from his sitting-room window. (J. M. W. Turner)](https://cdn.quotesdtb.com/img/quotes_images_webp/83/j-m-w-turner-1016383.webp)
About this time [c. 1812] Turner removed to Twickenham, where he purchased Sandycomb Lodge, near Richmond Bridge [London]. It was an unpretending little place, and the rooms were small. There were several models of ships in glass cases, to which Turner had painted a sea and background. They much resembled the large vessels in his sea pieces. Richmond scenery greatly influenced his style. The Scotch firs (or stone-pine) around are in most of his large classical subjects, and Richmond landscape is decidedly the basis of 'The Rise of Carthage'. Here he had a long strip of land, planted by him so thickly with willows that his father, who delighted in the garden, complained that it was a mere osier-bed. Turner used to refresh his eye with the run of the boughs from his sitting-room window.
J. M. W. TurnerRelated topics
bridge classical eye father garden glass land large mere near place rise run scenery sea small strip turner window RichmondRelated quotes
Don't forget that God sees you and watches you when you are in pain; He perceives even the beating of your heart. Consequently, He will not leave you without consolation and His fatherly protection. Naturally, the saints rejoiced in their afflictions; as for us, let us at least manage to accept affliction or pain patiently.
My child, pray within your heart, and the name of Jesus will become for you a comforting balm so that you can bear this trial of yours in a way which benefits you. You will greatly benefit from this trial if you submit yourself to it patiently. So again I say to you, with the almighty armor of prayer continually approach the omnipotent Lord more often, and you will come to know how He wondrously lifts the burden of pain and marvellously gives rest to sufferers.
Ephraim of Arizona
WHAT HAPPENS AFTER DEATH?
When a human soul goes out of the body, some great mystery happens. For if it is guilty of sins, then there come hordes of demons, evil angels and dark forces, take that soul and drag it to their side.
No one should be surprised at that, because if a man surrendered and fell prey to them while still alive in this world, will not they have even greater control over him and enslave him when he departs from this world?
As for the other, the better part of people, something different happens to them. There are Angels around the holy servants of God in this life; the holy spirits surround them and protect them; and when their souls are separated from the body, the choir of Angels welcomes them into their fellowship, into a bright life, and thus leads them to the Lord.
Macarius of Egypt
On the whole [the alignment of a series of stained glass windows with the interior of a villa in The Hague] I have thought about all the time... I want to focus more on the architecture of the interior in general and that should we do together [with architect Buys]... Now I was already thinking, the enormous color effect that the window will generate - and that will certainly become powerful - must be accompanied with strong colors - the hall -, otherwise the window itself will be too much isolated. For instance the staircase, could it be painted in strong colors and not [in] oak.... deep ultramarine blue or green, with a beautiful colorful carpet.... I feel I must make designs for carpets, to create in that way a beautiful unity with the stained glass as a whole.
Jacoba van Heemskerck
Along with the steady diet sitar, sarod, and tabla, several new instruments and players came to my attention. The first of these was Ustad Bismillah Khan, master of the sonorous double-reed instrument known as shehnai. This beautiful wind instrument, with finger holes and a bell-shaped opening at the bottom, sounded to me like a hybrid of soprano saxophone and oboe, and Bismillah Khan's tone very much influenced what Coltrane and Terry Riley would do with the soprano sax. Primarily used at weddings, the shehnai had been rejected as a classical instrument until Bismillah Khan elevated it to a higher status among listeners. His unique fingertips and sublime breath control produced the necessary range of sounds for raga making shehnai one of the more popular instruments in North India.
Bismillah Khan
It is not a recognisable scene [his two paintings 'Dances at the spring', 1912 - Picabia painted the motion and the excitement of a peasant dance while he was on his honeymoon in the countryside of Italy; one version is lost]. There is no dancer, no spring, no light, no perspective, nothing other than the visible clue of the sentiments I am trying to express... I would draw your attention to a song of colours, which will bring out for others the joyful sensations and feelings inspired in me on those summer days when I found myself somewhere in the country near the Italian border, where there was a spring in a wonderful garden. A photograph of that spring and that garden would in now way look like my painting 'Dance at a spring' I was shown for the first time at the w:Salon d'Automne in Paris in 1912.
Francis Picabia