![[Hitler] is formless, almost faceless, a man whose countenance is a caricature, a man whose framework seems cartilaginous, without bones. He is inconsequent and voluble, ill-poised, insecure. He is the very prototype of the Little Man. A lock of lank hair falls over an insignificant and slightly retreating forehead. The back head is shallow. The face is broad in the check-bones. The nose is large, but badly shaped and without character. His movements are awkward, almost undignified and most un-martial. There is in his face no trace of any inner conflict or self-discipline. (Dorothy Thompson)](https://cdn.quotesdtb.com/img/quotes_images_webp/81/dorothy-thompson-almost-awkward-1015981.webp)
[Hitler] is formless, almost faceless, a man whose countenance is a caricature, a man whose framework seems cartilaginous, without bones. He is inconsequent and voluble, ill-poised, insecure. He is the very prototype of the Little Man. A lock of lank hair falls over an insignificant and slightly retreating forehead. The back head is shallow. The face is broad in the check-bones. The nose is large, but badly shaped and without character. His movements are awkward, almost undignified and most un-martial. There is in his face no trace of any inner conflict or self-discipline.
Dorothy ThompsonRelated topics
almost caricature character countenance face forehead hair head large lock man nose prototype self-discipline shallow Hitler falls bonesRelated quotes
If someone asks you where you get your characters... and they're sure to do that... you always say, "He's a combination of a lot of people I have known." That way, if your character is a damn fool, nobody will want to identify with him... To tell the truth, I don't know how a man gets a character for a story, anymore than I know how he falls in love. I don't know if his characters spring full-blown from his head, or if he sees a man walking down the street and recognises him instantly... I doubt any writer knows for sure where his characters come from.
Robert E. Howard
As I conceive this doctrine to be a gross misrepresentation of the character and moral government of God, and to affect many other articles in the scheme of Christianity, greatly disfiguring and depraving it; I shall show, in a fuller manner than I mean to do with respect to any other corruption of Christianity, that it has no countenance whatever in reason, or the Scriptures; and, therefore, that the whole doctrine of atonement, with every modification of it, has been a departure from the primitive and genuine doctrine of Christianity.
Joseph Priestley
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Friedrich Hayek
So the concept of God began to change as the ego recognized its reliance upon inner reality, but the drama had to be worked out within the current framework. Muhammadanism was basically so violent precisely because Christianity was basically so gentle. Not that Christianity was not mixed with violence, or that Muhammadanism was devoid of love. But the psyche went through its developments and battled with itself, denying some feelings and characteristics and stressing others, so the historic religious exterior dramas represented and followed these inner aspirations, struggles, and searches.
Robert Butts