Writers ever since writing began have had problems, and the main problem narrows down to just one word - life. Certainly this might be an age of so-called faithlessness and despair we live in, but the new writers haven't cornered any market on faithlessness and despair, any more than Dostoyevsky or Marlowe or Sophocles did. Every age has its terrible aches and pains, its peculiar new horrors, and every writer since the beginning of time, just like other people, has been afflicted by what that same friend of mine calls "the fleas of life”-you know, colds, hangovers, bills, sprained ankles, and little nuisances of one sort or another. They are the constants of life, at the core of life, along with nice little delights that come along every now and then.
William StyronRelated topics
age beginning begin friend live market might mine narrows nice now pains problem sort word Marlowe Dostoyevsky faithlessness SophoclesRelated quotes
You misunderstood my words when I said that Michelangelo was a stupid artist... Because I have drunk from another source and a new and marvelous thirst burns my lips – how can I still believe in such artists?! I know what you are thinking when you ask me: 'isn't David a superman? This is how I used to feel, this is what I used to think. The majority of the world's great spirits thought it so.... but now a new air has entered my soul, a new song has reached my ears and the whole world appears totally changed – the autumn afternoon has arrived, the long shadows, the clear air, the serene sky –, in a word: Zarathustra has arrived, do you understand??.... It is only with Nietzsche that I can say I have begun a real life.
Giorgio de Chirico
With the collapse of the old welfare states, all this has come to seem decidedly quaint. As the language of antibureaucratic individualism has been adopted, with increasing ferocity, by the Right, which insists on "market solutions” to every social problem, the mainstream Left has increasingly reduced itself to fighting a kind of pathetic rearguard action, trying to salvage remnants of the old welfare state: it has acquiesced with–often spearheaded–attempts to make government efforts more "efficient” though the partial privatization of services and the incorporation of ever-more "market principle,” "market incentives,” and market-based "accountability processes” into the structure of the bureaucracy itself.
David Graeber
I am a much better person and a better writer having had my children than I would be otherwise. I would have missed a whole aspect of the human experience that's tremendously fundamental to things like characterization.
A lot of writers write as if the hero sort of popped out of the box at age 22 fully formed. And one thing that raising children does is give you some sense of how human beings really are put together. So when you go to put together a character you can have a more realistic sense of where people really come from, why they really behave the way they do and what a tremendous amount of life and complexity lies behind every human being.
But I think you can get that from being a father too. I think it's something you can do by growing up and being observant even if you don't have children.
Lois McMaster Bujold
In 1946 what I call my 'Little Image' began breaking through this [former] gray matter of mine. I felt fantastic relief that something was beginning to happen after all this time when there was nothing, nothing, nothing... The canvas is down on a floor or table and I am working out of a tiny can. In other words, I have to hold the paint so I can move it. But I wouldn't have been using Duco [industrial paint, like Willem de Kooning did]. My paint would always have been oil and I could get the consistency of a thick pouring quality in it by squeezing it into a can and cutting it with turp [turpetine] – the way I use paint today... The only thing I can say with absolute assurance is that my 'Little Image' work starts about 1946 and ends in 1949.
Lee Krasner
Wherever thou seest a great end, be sure of a great beginning. Where a monstrous and painful destruction appals thy mind, console it with the certainty of a large and great creation. God is there not only in the still small voice, but in the fire and in the whirlwind..... The greater the destruction, the freer the chances of creation; but the destruction is often long, slow and oppressive, the creation tardy in its coming or interrupted in its triumph. The night returns again and again and the day lingers or seems even to have been a false dawning. Despair not therefore but watch and work. Those who hope violently, despair swiftly: neither hope nor fear, but be sure of God's purpose and thy will to accomplish.
Sri Aurobindo