One world and then another, running like a chain. One world treading on the heels of another world that plodded just ahead. One world's tomorrow, another world's today. And yesterday is tomorrow, and tomorrow is the past. Except, there wasn't any past. No past, that was, except the figment of remembrance that flitted like a night-winged thing in the shadow of one's mind. No past that one could reach. No pictures painted on the wall of time. No film that one could run backwards and see what-once-had-been... One road was open, but another road was closed. Not closed, of course, for it had never been. For there wasn't any past, there never had been any, there wasn't room for one. Where there should have been a past there was another world.
Clifford D. SimakRelated topics
chain course figment film mind open past plod reach road room run running see shadow should thing tomorrow wall yesterday today heelsRelated quotes
The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian ... and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music ... a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.
Peter Greenaway
He and Don came up to the corpse of the German truck. The scrounger who'd been messing around there was gone. "Who's that asshole gonna sell his scrap to?" Charlie said. "Us- you wait and see. We're dumb enough to pay good money to put these mothers back on their feet now that we stomped 'em." "Yeah, that's like us, all right," Dom agreed. "We-" The truck blew up. Next thing Charlie knew, he was sprawled on the ground a surprisingly long way from the road. Dom- no, a piece of Dom- lay not far away. Charlie tried to reach out. His arm didn't want to work. WHen he looked down at what was left of himself, he understood why. It didn't hurt. Then, all at once, it did. His shriek bubbled through the blood filling his mouth. Mercifully, blackness enfolded him.
Harry Turtledove
And it's certain that unexpected new ideas are beginning to emerge. That paintings are once again beginning to be painted in very different tone from a few years ago.
The last thing I made is a rather large study of an avenue of poplars with the yellow autumn leaves, where the sun makes glittering patches here and there on the fallen leaves on the ground, which are interspersed with the long shadows cast by the trunks. At the end of the road a peasant cottage, and the blue sky above it between the autumn leaves.
I think that in a year's time - having spent that year once again painting a great deal and constantly - I'll change my manner of painting and my colour a great deal, and that I'm likely to become slightly more sombre rather than lighter.
Vincent van Gogh
I am hard at work, at least I work as much as the weather permits. - I began a work the motif of which is the river bank in the direction of St. Paul's Church. Looking towards Rouen I have before me all the houses on the quays lighted by the morning sun, in the background the stone bridge, to the left the island with its houses, factories, boats, launches, to the right a mass of pinnaces of all colors.. .Yesterday, not having the sun, I began another work on the same motif in grey weather, only I looked more to the right [603]. I must leave you for my motif. I have a room on the street. I shall start on a view of the street in fog for it has been foggy every morning until eleven o'clock-noon. It should be interesting, the square in the fog, the tramways, the goings and comings..
Camille Pissarro
[Do you have a motto or creed that as an artist you live by?] Inspiration is for amateurs - the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will - through work - bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great "art idea". And the belief that process, in a sense, is liberating and that you don't have to reinvent the wheel every day. Today, you know what you'll do, you could be doing what you were doing yesterday, and tomorrow you are gonna do what you did today, and at least for a certain period of time you can just work. If you hang in there, you will get somewhere.
Chuck Close