People say he is a great player, but you have to define what a great player is. For me, it is a player who has a bottom level that means his worst performance is not noticed. If he is having a bad game, a teammate might feel Paul Scholes is not quite on his game, but a spectator wouldn't notice. Scholes, of all the players I have played with, has the highest bottom level. He has an eye for a pass, for what the play or the game needs at that precise moment, that I have never seen anyone else have. These days he doesn't get into the box too many times, which is where you can see his age, but he has developed tactically. He controls and distributes the play and the game better than anyone I have ever seen.
Paul ScholesRelated topics
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We shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and the oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be. We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills we shall never surrender.... And if, which I do not for a moment believe, this island or a large part of it were subjugated and starving, then our empires beyond the seas, armed and guarded by the British Fleet, will carry on the fight, until in Gods own time the new world in its power and might steps forth to the rescue and liberation of the old.
Winston Churchill
I have presented the periodic table as a kind of travel guide to an imaginary country, of which the elements are the various regions. This kingdom has a geography: the elements lie in particular juxtaposition to one another, and they are used to produce goods, much as a prairie produces wheat and a lake produces fish. It also has a history. Indeed, it has three kinds of history: the elements were discovered much as the lands of the world were discovered; the kingdom was mapped, just as the world was mapped, and the relative positions of the elements came to take on a great significance; and the elements have their own cosmic history, which can be traced back to the stars.
Peter Atkins
Let true Christians then, with becoming earnestness, strive in all things to recommend their profession, and to put to silence the vain scoffs of ignorant objectors. Let them boldly assert the cause of Christ in an age when so many, who bear the name of Christians, are ashamed of Him: and let them consider as devolved on Them the important duty of suspending for a while the fall of their country, and, perhaps, of performing a still more extensive service to society at large; not by busy interference in politics, in which it cannot but be confessed there is much uncertainty; but rather by that sure and radical benefit of restoring the influence of Religion, and of raising the standard of morality.
William Wilberforce
Warning. It is usual to read into the law of large numbers things which it definitely does not imply. If Peter and Paul toss a perfect coin 10,000 times, it is customary to expect that Peter will be in the lead roughly half the time. This is not true. In a large number of different coin-tossing games it is reasonable to expect that any fixed moment heads will be in the lead in roughly half of all cases. But it is quiet likely that the player who ends at the winning side has been in the lead for practically the whole duration of the game. Thus, contrary to widespread belief, the time average for any individual game has nothing to do with the ensemble average at any given moment.
William Feller
The other, more nebulous, but very strong influence of RPGs was the weird fetish for systematization, the way everything is reduced to "game stats.” If you take something like Cthulhu in Lovecraft, for example, it is completely incomprehensible and beyond all human categorization. But in the game Call of Cthulhu, you see Cthulhu's "strength,” "dexterity,” and so on, carefully expressed numerically. There's something superheroically banalifying about that approach to the fantastic. On one level it misses the point entirely, but I must admit it appeals to me in its application of some weirdly misplaced rigor onto the fantastic: it's a kind of exaggeratedly precise approach to secondary world creation.
China Miéville