I studied a good deal in the museum at Naples; the Pompeian paintings are extremely interesting from every aspect. So I am staying in the sun – not to paint portraits but while I am warming myself and looking hard at things I hope I will have acquired some of the grandeur and simplicity of the old masters. Raphael didn't work out-of-doors, but he studied the sunlight all the same – his frescoes are full of it. So, by looking around outside, I have finished by seeing only the broad harmonies, and am no longer preoccupied with the little details, which only extinguish the sunlight, instead of increasing its brilliance. I hope therefore, when I get back to Paris, to produce something which will be the outcome of all these general studies, and to give you the benefit of them [in a letter written during his three-weeks-stay, working with Paul Cezanne at l'Estaque, near Marseille].
Pierre-Auguste RenoirRelated topics
aspect benefit deal fresco full general good grandeur hard hope increasing letter longer looking museum near outside paint produce seeing something study sun warming while work working write things Raphael masters CezanneRelated quotes
And this in turn makes it plain that the Right Man problem is a problem of highly dominant people. Dominance is a subject of enormous importance to biologists and zoologists because the percentage of dominant animals - or human beings - seems to be amazingly constant. Bernard Shaw once asked the explorer H. M. Stanley how many other men could take over leadership of the expedition if Stanley himself fell ill; Stanley replied promptly: "One in twenty." "Is that exact or approximate?" asked Shaw. "Exact." And biological studies have confirmed this as a fact. For some odd reason, precisely five per cent - one in twenty - of any animal group are dominant - have leadership qualities. During the Korean War, the Chinese made the interesting discovery that if they separated out the dominant five per cent of American prisoners of war, and kept them in separate compound, the remaining ninety-five per cent made no attempt to escape.
Henry Morton Stanley
A work upon the plan originally contemplated by the Author seems still to be required, to initiate the young and uninstructed in the study of those MEDALS 0F CREATION-those electrotypes of nature-the mineralized remains of the plants and animals which successively flourished in the earlier ages of our planet, in periods incalculably remote, and long antecedent to all human history and tradition. With this conviction the present volumes are offered... as a guide for the Student and the Amateur Collector of fossil remains; for the intelligent Observer who may desire to possess a general knowledge of the subject, without intending to pursue Geology as a science; and for the Tourist who may wish, in the course of his travels, to employ profitably a leisure hour in quest of those interesting memorials of the ancient physical revolutions of our globe, which he will find everywhere presented to his observation.
Gideon Mantell
Many of my Hamptstead friends may remember this 'young lady' [an ash tree] at the entrance to the village. Her fate was distressing, for it is scarcely too much to say that she died of a broken heart. I made this drawing [Study of Trees, pencil on paper, circa 1821] when she was in full health and beauty; on passing some times afterwards, I saw, to my grief, that a wretched board had been nailed to her side, on which was written in large letters: 'All vagrants and beggars will be dealt with according to law.' The tree seemed to have felt the disgrace, for even then some of the top branches had withered. Two long spike nails had been driven far into her side. In another year one half became paralysed, and not long after the other shared the same fate, and this beautiful creature was cut down to a stump, just high enough to hold the board.
John Constable
The cultural invasion is like a leafy tree which prevents us from seeing our own sun, sky and stars. Therefore in order to be able to see the sky above our heads, our task is to cut this tree off at the roots. US imperialism understands very well the magic of communication through music and persists in filling our young people with all sorts of commercial tripe. With professional expertise they have taken certain measures: first, the commercialization of the so-called ‘protest music'; second, the creation of ‘idols' of protest music who obey the same rules and suffer from the same constraints as the other idols of the consumer music industry – they last a little while and then disappear. Meanwhile they are useful in neutralizing the innate spirit of rebellion of young people. The term ‘protest song' is no longer valid because it is ambiguous and has been misused. I prefer the term ‘revolutionary song'.
Víctor Jara
Colour is the place where our brain and the universe meet. That's why colour appears so entirely dramatic, to true painters. Look at Sainte-Victoire there [the hill, which Cézanne painted again and again] How it soars, how imperiously it thirsts for the sun!.. For a long time I was quite unable to paint Sainte-Victoire; I had no idea to go about it because, like others who just look at it, I imagined the shadow to be concave, whereas in fact it's convex, it disperses outward from the center. Instead of accumulating, it evaporates, becomes fluid, bluish, participating in the movements of the surrounding air. Just as over there to the right, on the Pilon du Roi, you can see the contrary effect, the brightness gently rocking to and fro, moist and shimmering. That's the sea.... That's one needs to depict. What one needs to know. That's the bath of experience, so to speak...
Paul Cézanne