![If we endeavor to form our conceptions upon history and life, we remark three classes of men. The first consists of those for whom the chief thing is the qualities of feelings. These men create art. The second consists of the practical men, who carry on the business of the world. They respect nothing but power, and respect power only so far as it [is] exercized. The third class consists of men to whom nothing seems great but reason. If force interests them, it is not in its exertion, but in that it has a reason and a law. For men of the first class, nature is a picture; for men of the second class, it is an opportunity; for men of the third class, it is a cosmos, so admirable, that to penetrate to its ways seems to them the only thing that makes life worth living. (Charles Sanders Peirce)](https://cdn.quotesdtb.com/img/quotes_images_webp/91/charles-sanders-peirce-art-1012891.webp)
If we endeavor to form our conceptions upon history and life, we remark three classes of men. The first consists of those for whom the chief thing is the qualities of feelings. These men create art. The second consists of the practical men, who carry on the business of the world. They respect nothing but power, and respect power only so far as it [is] exercized. The third class consists of men to whom nothing seems great but reason. If force interests them, it is not in its exertion, but in that it has a reason and a law. For men of the first class, nature is a picture; for men of the second class, it is an opportunity; for men of the third class, it is a cosmos, so admirable, that to penetrate to its ways seems to them the only thing that makes life worth living.
Charles Sanders PeirceRelated topics
art business carry chief far force form great history men law living nature nothing opportunity picture power reason respect second thing third three worth waysRelated quotes
I'm often asked by students how a photographer gets over the fear and uneasiness in many people about facing a camera, and I just say that any sensitive man is bothered by a thing like that unless the motive is so strong and the belief in what he's doing is so strong that it doesn't matter. The important thing is to do the picture. And I advise people who are bothered by this to cure it by saying to themselves, what I'm doing is harmless to these people really, and there's no malevolence in it and there's no deception in it, and it is done in a great tradition, examples of which are Daumier and Goya. Daumier's Third Class Carriage is a kind of snapshot of some actual people sitting in a railway carriage in France in eighteen-something.
Walker Evans
A line cannot control pictorial space absolutely. A line may flow freely in and out space, but cannot independently create the phenomenon of push and pull necessary to plastic creation. Push and pull are expanding and contracting forces which are activated by carriers in visual motion. Planes are the most important carriers, lines and points less so.. .the picture plane reacts automatically in the opposite direction to the stimulus received; thus action continues as long as it receives stimulus in the creative process. Push answers with pull and pull with push. ... At the end of his life and the height of his capacity Cézanne understood color as a force of push and pull. In his pictures he created an enormous sense of volume, breathing, pulsating, expanding, contracting through his use of colors.
Hans Hofmann
Wasn't all their effort worthless? Wouldn't it be better to accept the impossibility of their mission? He began to think Krane was mad. If there were a threat, then inevitably they would die. Death was the future of all people, all planets, all universes. Their struggle was symbolic of the futility of living creatures who fought against their own inevitable extinction. What were a few more years of existence compared to the longevity of a cosmos? In those terms, the whole history of their species lasted for less than a fraction of a second. And then, sheltering beside him under the protection of the energy equalizer, she looked up for a second, and, obscurely, he understood that the effort always would be worth it. Always had been worth it.
Michael Moorcock
To such a one, already filled with intellectual substance, and possessing what we may call the practical gold-bullion of human culture, it was an obvious improvement that he should be taught to speak it out of him on occasion; that he should carry a spiritual banknote producible on demand for what of "gold-bullion" he had, not so negotiable otherwise, stored in the cellars of his mind. A man, with wisdom, insight and heroic worth already acquired for him, naturally demanded of the schoolmaster this one new faculty, the faculty of uttering in fit words what he had. A valuable superaddition of faculty:-and yet we are to remember it was scarcely a new faculty; it was but the tangible sign of what other faculties the man had in the silent state.
Thomas Carlyle
One of my chief "crimes" then, was to have wanted Iran to move from the oil age into the atomic age before it was too late. Must I blush for that? The peaceful use of nuclear energy did not create problems for radiation and contamination for us since we have vast stretches of desert...
I was accused of having adopted the plans for nuclear power stations among others for reasons of "personal ambition". Was it not obvious that I would be dead before most of these plans had been carried out? Why speak of personal ambition then? It was rather a question of forseeing Iran's needs. My "personal" ambitions are known to all men of good faith - to preserve national unity, to make the Iranian people as happy as possible and to prepare a more peaceful future.
Muhammad Reza Pahlavi