Sylvester: When was it that you first did a painting with one or two simple lines, horizontal or vertical, across the surface? Newman: I would say that it began in '46- '47. In those years, whenever I did a painting with one or two elements in it, it did always have a sense of an atmospheric background, I suppose - with the exception of a painting which I called Euclidian Abyss, where the background is black and has some of the white coming through, but there's no true atmosphere.
Barnett NewmanRelated topics
across atmosphere begin black coming exception horizontal sense simple suppose surface vertical white years NewmanRelated quotes
Whoever challenged the racial hierarchy was marked a potential victim of the mob. The endless roster of the dead came to include every sort of insurgent-from the owners of successful Black businesses and workers pressing for higher wages to those who refused to be called "boy” and the defiant women who resisted white men's sexual abuses. Yet public opinion had been captured, and it was taken for granted that lynching was a just response to the barbarous sexual crimes against white womanhood.
Angela Davis
There is something ridiculous and miserly in the myth we inherit from abstract art: That painting is autonomous, pure and for itself, and therefore we habitually analyze its ingredients and define its limits. But painting is 'impure'. It is the adjustment of 'impurities', which forces painting's continuity. We are image-makers and image-ridden. There are no 'wiggly or straight lines' or any other elements. You work until you vanish. The picture isn't finished if they are seen.
Phillip Guston
The violent quarrel between the abstractionists [like Barbara Hepworth and Ben Nicholson, both English sculptors] and the surrealists seems to me quite unnecessary. All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements – order and surprise, intellect and imagination, conscious and unconscious. Both sides of the artist's personality must play their part. And I think the first inception of a painting or a sculpture may begin from either end.
Henry Moore
It all began with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn't have to design it. So I want on to similar things like the targets things the mind already knows. That gave me room to work on other levels. For instance, I've always thought of a painting as a surface; painting it in one color made this very clear... A picture ought to be looked at the same way you look at a radiator.
Jasper Johns
We like books that have a lot of dreck in them, matter which presents itself as not wholly relevant (or indeed, at all relevant) but which, carefully attended to, can supply a kind of "sense" of what is going on. This "sense" is not to be obtained by reading between the lines (for there is nothing there, in those white spaces) but by reading the lines themselves looking at them and so arriving at a feeling not of satisfaction exactly, that is too much to expect, but of having read them, of having "completed" them.
Donald Barthelme