![My dearest little Julie, I love you as I lie dying; I shall still love you when I am dead. I beg of you, do not cry; this parting was inevitable. I would have liked to be with you until you married – Work hard and be good as you have always been; you have never caused me a moment's sorrow in you little life [Julie is 16, then]. You have beauty, good fortune; use them well. I think the best thing would be to live with your cousins in the Rue de Villejust, but I do not wish to force you to do anything. Give a memento of me to you aunt Edma [Berthe's sister], and to your cousins too; and give Monet's [painting] 'Bateaux en reparation' to your cousin Gabriel. Tell M. Degas that if he found a museum he is to choose a Manet [of her Manet paintings]. A keepsake for Monet; one for Renoir, and one of my drawings for Bartolomé. Give something to the two concierges. Do not cry, I love you more than I can tell you. (Berthe Morisot)](https://cdn.quotesdtb.com/img/quotes_images_webp/38/berthe-morisot-anything-aunt-428238.webp)
My dearest little Julie, I love you as I lie dying; I shall still love you when I am dead. I beg of you, do not cry; this parting was inevitable. I would have liked to be with you until you married – Work hard and be good as you have always been; you have never caused me a moment's sorrow in you little life [Julie is 16, then]. You have beauty, good fortune; use them well. I think the best thing would be to live with your cousins in the Rue de Villejust, but I do not wish to force you to do anything. Give a memento of me to you aunt Edma [Berthe's sister], and to your cousins too; and give Monet's [painting] 'Bateaux en reparation' to your cousin Gabriel. Tell M. Degas that if he found a museum he is to choose a Manet [of her Manet paintings]. A keepsake for Monet; one for Renoir, and one of my drawings for Bartolomé. Give something to the two concierges. Do not cry, I love you more than I can tell you.
Berthe MorisotRelated topics
anything aunt beauty beg best choose cry dead dying found force fortune good hard lie live married memento museum reparation sister something sorrow tell thing use well wish work Gabriel Monet degas RenoirRelated quotes
Wallace's emotions on discovering such marvels must surely be echoed by all of us who follow him. This is what he wrote:
"I thought of the long ages of the past during which the successive generations of these things of beauty had run their course. Year by year being born and living and dying amid these dark gloomy woods with no intelligent eye to gaze upon their loveliness, to all appearances such a wanton waste of beauty. It seems sad that on the one hand such exquisite creatures should live out their lives and exhibit their charms only in these wild inhospitable regions. This consideration must surely tell us that all living things were not made for man, many of them have no relation to him, their happiness and enjoyment's, their loves and hates, their struggles for existence, their vigorous life and early death, would seem to be immediately related to their own well-being and perpetuation alone."
David Attenborough
You have now in the field armies sufficient to repel the whole force of your enemies and their base and mercenary auxiliaries. The hearts of your soldiers beat high with the spirit of freedom; they are animated with the justice of their cause, and while they grasp their swords can look up to Heaven for assistance. Your adversaries are composed of wretches who laugh at the rights of humanity, who turn religion into derision, and would, for higher wages, direct their swords against their leaders or their country. Go on, then, in your generous enterprise, with gratitude to Heaven for past, success, and confidence of it in the future. For my own part, I ask no greater blessing than to share with you the common danger and common glory. If I have a wish dearer to my soul than that my ashes may be mingled with those of a Warren and a Montgomery, it is that these American States may never cease to be free and independent.
Samuel Adams
The beauty of the forest is extraordinary - but "beauty” is too simple a word, for being here is not just an aesthetic experience, but one steeped with mystery, with awe. ... [The forest] has to do with the ancient, the aboriginal, the beginning of all things. The primeval, the sublime, are much better words here - for they indicate realms remote from the moral or the human, realms which force us to gaze into immense vistas of space and time, where the beginnings and originations of all things lie hidden. Now, as I wandered in the cycad forest on Rota, it seemed as if my senses were actually enlarging, as if a new sense, a time sense, was opening within me, something which might allow me to appreciate millennia or aeons as directly as I had experienced seconds or minutes. ... Standing here in the jungle, I feel part of a larger, calmer identity; I feel a profound sense of being at home, a sort of companionship with the earth.
Oliver Sacks
How you deal with it I must and will leave to you, not out of despair or resignation but in deference to my conscience, that broken clock which I believe is now chiming one of its occasional right hours. I will not question your reasons. It is enough for you to tell me that you wish to keep this distance between us, and it will always be enough. Know that a single word will bring me running, but unless and until it pleases you to give it, I will expect nothing, force nothing, and contrive nothing contrary to your wishes.
I desire you as deeply as I ever have, but I understand that the fervor of a desire is irrelevant to its justice. I want your heart on merit, in mutual trust, or not at all, because I cannot bear to see you made uneasy by me. Not for all the world would I do so again, and I leave it to you to tell me how to proceed, if and when you can, if and when you will.
Scott Lynch
If you read some of the Parisian newspapers, among others the 'Figaro', so beloved of the right-thinking public, you must have learned that I am part of a group of artists who opened a private exhibition [in the art-gallery of Durand-Ruel in Paris, April 1876]. You must also have seen what favour this exhibition enjoys in the eyes of these gentlemen [Berthe refers to the critical articles in Paris with all their mockery about her works]. On the other hand, we have been praised in the radical newspaper, but you don't read those [her aunts]! Well, at least we are getting attention, and we have enough self-esteem not to care. My brother-in-law Edouard Manet is not with us [Manet didn't participate in this first Impressionist show, initiated by Degas ]. Speaking of success, he [Manet] has just been rejected by the Salon; he, too, is perfectly good-humored about his failure.
Berthe Morisot