What the aristocratic civilization of Rome and Greece had meant, only those greater minds, Goethe and Nietzsche, grasped: but to none were those feelings of manly vigour more unintelligible than to the womanish Armageddon of serfs of the nineteenth century ; to none less clear than to those unnatural products of that unnatural time, the learned men. The erudite was the absolute converse of the pagan positive. He studied the ancients because he could not feel them. ... But not to all did antiquity remain dry and lifeless. Nietzsche lighted upon the slumber-bound beauty, and awoke her to new life, and released her from the arm of her unloved wooer.
Oscar LevyRelated topics
arm beauty century clear erudite greece men less mean nineteenth none remain study armageddon vigour Goethe Rome NietzscheRelated quotes
At last, after many lives of striving, many lives of working, growing purer and nobler and wiser, life after life, the Soul makes a distinct and clear speaking forth of a will that now has grown strong; and when that will announces itself as a clear and definite purpose, no longer the whisper that aspires, but the word that commands, then that resolute will strikes at the gateway which leads to the Outer Court of the Temple, and strikes with a knocking which none may deny- for it has in it the strength of the Soul that is determined to achieve, and that has learned enough to understand the vastness of the task that it undertakes.
Annie Besant
I've always wanted to go to England; I've always felt a tremendous drawing to England - especially the Elizabethan period. I felt I was familiar with a lot of it - more than what I was familiar with from what I read and studied in school. I went to England. I started driving. I drove to Stonehenge and found that I had been there. It was familiar to me. I went to the tower of London and knew that I had been there. It was more than just feeling vibrations, which a lot of people can do - feel, you know, vibrations of a place that has antiquity screaming through it. It was an irrefutable fact. It was like coming home for me.
Cass Elliot
In this chapter I want to raise the question partly in jest but partly also in seriousness whether the concept of the image cannot become the abstract foundation of a new science, or at least a cross-disciplinary specialization. As I am indulging in the symbolic communication of an image of images I will even venture to give the science a name - Eiconics - hoping thereby to endow it in the minds of my readers with some of the prestige of classical antiquity. I run some risk perhaps of having my new science confused with the study of icons. A little confusion, however, and the subtle overtones of half-remembered associations are all part of the magic of the name.
Kenneth Boulding
Our situations are arranged by higher agents to allow us to become tired of trying to manipulate the material energy. Due to not being properly appreciative of the beauty of relationship with the Lord, humankind is given a temporary arena in which to act out our desires. This environment is designed to frustrate, disgust, and disappoint us, to make us contemplative and introspective. Ultimately it is meant to drive us away from the temporary world in favor of that which is eternal. This is arranged for us to finally realize that our happiness lies not in dabbling with the material energy but in serving the Lord unconditionally, thus becoming whole again.
Bhakti Tirtha Swami
Hence the ancient architects, following in the footsteps of nature, perfected the ascending rows of seats in theatres from their investigations of the ascending voice, and by means of the canonical theory of the mathematicians and that of the musicians, endeavoured to make every voice uttered on the stage come with greater clearness and sweetness to the ears of the audience. For just as musical instruments are brought to perfection of clearness in the sound of their strings by means of bronze plates or horn, so the ancients devised methods of increasing the power of the voice in theatres through the application of harmonics.
Vitruvius