A permanent state of transition is man's most noble condition. When we say an artist is in a state of transition, many believe that we are belittling. In my opinion when people speak of an art of transition this indicates a better art and the best that art can give. Transition is a complete present which unites the past and the future in a momentary progressive ecstasy, a progressive eternity, a true eternity of eternities, eternal moments. Progressive ecstasy is above all dynamic; movement is what sustains life and true death is nothing but lack of movement, be the corpse upright or supine. Without movement life is annihilated, within and without, for lack of dynamic cohesion. But the dynamism should be principally of the spirit, of the idea, it should be a moral dynamic ecstasy, dynamic in relation to progress, ecstatic in relation to permanence.
Juan Ramón JiménezRelated topics
above art believe belittling cohesion condition corpse death dynamic dynamism ecstasy future idea life noble nothing opinion people present progressive say should speak spirit state transition uprightRelated quotes
It should be clear by now that there are people who can, in fact, be reasonably considered experts; that it is rational to rely, within limits, on ex pert opinion; and that it is possible, by exercising relatively simple criteria, to gain insight into whether a particular expert is reliable or not. It is also true that experts, of course, do make mistakes, and that even the agreement of a large majority of experts in a field does not guarantee that they got it right. That's the nature of scientific truth, as we have seen throughout this book: it is tentative, because it is the result of a human endeavor that is limited both by the type and amount of available evidence and by humans' finite mental powers and emotional reactions. But the examples above show how you can, with a little bit of practice, tell science from bunk!
Massimo Pigliucci
They are confronted in Ireland with a situation which is largely due to their own lack of insight and of sympathy, confronted with a situation which needed strong and firm handling, strong and firm, but at the same time and above all, just, even-handed, and dispassionate. They have let loose this orgy of reprisals which confuse the innocent and the guilty in a common tumult of lawless violence. They deny, they prevaricate, they cloak and screen and block the avenues to truth in a childish belief that when order has been restored, a cowed and subjugated people will spread out grateful hands to grasp the boon of pinchbeck Home Rule. I say deliberately that never in the lifetime of the oldest among us has Great Britain sunk so low in the moral scale of nations. That, at any rate, when most of the members of the Coalition are forgotten, will be an achievement which will be remembered in history.
H. H. Asquith
At the point at which the concept of différance, and the chain attached to it, intervenes, all the conceptual oppositions of metaphysics (signifier/signified; sensible/intelligible; writing/speech; passivity/activity; etc.)- to the extent that they ultimately refer to the presence of something present (for example, in the form of the identity of the subject who is present for all his operations, present beneath every accident or event, self-present in its "living speech," in its enunciations, in the present objects and acts of its language, etc.)- become non pertinent. They all amount, at one moment or another, to a subordination of the movement of différance in favor of the presence of a value or a meaning supposedly antecedent to différance, more original than it, exceeding and governing it in the last analysis. This is still the presence of what we called above the "transcendental signified.
Jacques Derrida
There...is the necessity for freedom of speech and the arts. We have to scrutinize all the advances of society to judge whether they are cruel or frustrate cruelty, and for that purpose we must hear the evidence of all persons affected by their operation and of all persons qualified by experience or learning or speculative gifts to form an interesting opinion on what those operations might be. It is therefore necessary that all classes of men should be given the fullest opportunity to express themselves without constraint, not only out of admiration for an abstraction, but as a practical measure toward human survival. It is also necessary that the artist, of whatsoever kind, should be free to anatomize the spirit, so that we can comprehend the battlefield that is this life, and which are the troops of light and which of darkness, and what light may be, and darkness.
Rebecca West
It seems to me that this last piece, The Poet Speaks, which is the title Schumann gave to this immortal work, should be a transition into a kind of intimate reverie. It is not just about making a beautiful sound and expressive phrasing. You also need to create a sense of dreaming. The truth is, you need to dream this piece, rather than play it.
Will you allow me to take your place? These two phrases are not connected. They are two different elements... of the same musical state. Here, like a question... And here again, another, tenderly asking the way. And from this moment, you should convey the music not just through the notes but through some kind of inspiration drawn from its immortal spirit. Now the sonorities should fade away...grow fainter and dimmer...and you are left simply in the presence of a reminiscent dream.
Alfred Cortot
