Mark: I know that was a concern for you that, wasn't it? You were really nervous about this particular performance. Why? I really, really admire you for that Hayley. I admire the fact that you are actually quite green. I mean in the studio you were green and this is a whole new experience for you but the way that you approach it, the openness of mind is really, really admirable and I think the simplicity, how you handled that was really terrific. Good on you Hayley.
Hayley JensenRelated topics
approach experience good green mark mean mind openness quite studio wayRelated quotes
Recipe for greatness To bear up under loss, to fight the bitterness of defeat and the weakness of grief, to be victor over anger, to smile when tears are close, to resist evil men and base instincts, to hate hate and to love love, to go on when it would seem good to die, to seek ever after the glory and the dream, to look up with unquenchable faith in something evermore about to be, that is what any man can do, and so be great.
Zane Grey
When one admits that nothing is certain one must, I think, also admit that some things are much more nearly certain than others. It is much more nearly certain that we are assembled here tonight than it is that this or that political party is in the right. Certainly there are degrees of certainty, and one should be very careful to emphasize that fact, because otherwise one is landed in an utter skepticism, and complete skepticism would, of course, be totally barren and completely useless.
Bertrand Russell
Every technology goes through three stages: first a crudely simple and quite unsatisfactory gadget; second, an enormously complicated group of gadgets designed to overcome the shortcomings of the original and achieving thereby somewhat satisfactory performance through extremely complex compromise; third, a final stage of smooth simplicity and efficient performance based on correct understanding of natural laws and proper design therefrom.
Robert A. Heinlein
With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use – I don't use the accident – 'cause I deny the accident.... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.
Jackson Pollock
To be honest, when you're younger and cooler, you say those sort of things don't mean anything, but then on the day when they pat you on the back and they say, "Look, mate, we're noticing what you're doing-thanks very much;' you think of the people who spent a life in the cinema and didn't receive that kind of accolade, and it's sort of a humbling experience. And it's very nice and all that. But it doesn't change the way I do things.
Russell Crowe