![This Spring of 1911 Marianne von Werefkin [his former study-mate in Russia and in fact his life-comapnion for many years, but never married] Andrei, Helene and I went to Prerow on the Baltic [coast]. For me that summer meant a great step forward in my art. I painted my finest landscapes there as well as large figure paintings in powerful, glowing colours and not at all naturalistic or objective. I used a great deal of red, blue, orange, cadmium yellow and chromium-oxide green. My forms were very strongly contoured in Prussian blue, and came with tremendous power from an inner ecstasy. 'Der Buckel', 'Violetter Turban', 'Selbstporträt'.. ..were created in this way. It was a turning-point in my art. It was in these years, up to 1914, just before the war [World War 1.], that I painted my most powerful works, referred to as the pré-war works. (Alexej von Jawlensky)](https://cdn.quotesdtb.com/img/quotes_images_webp/30/alexej-von-jawlensky-art-426330.webp)
This Spring of 1911 Marianne von Werefkin [his former study-mate in Russia and in fact his life-comapnion for many years, but never married] Andrei, Helene and I went to Prerow on the Baltic [coast]. For me that summer meant a great step forward in my art. I painted my finest landscapes there as well as large figure paintings in powerful, glowing colours and not at all naturalistic or objective. I used a great deal of red, blue, orange, cadmium yellow and chromium-oxide green. My forms were very strongly contoured in Prussian blue, and came with tremendous power from an inner ecstasy. 'Der Buckel', 'Violetter Turban', 'Selbstporträt'.. ..were created in this way. It was a turning-point in my art. It was in these years, up to 1914, just before the war [World War 1.], that I painted my most powerful works, referred to as the pré-war works.
Alexej von JawlenskyRelated topics
art baltic came deal ecstasy forward went great green large married mean objective power prussian red spring step summer war way well works years coloursRelated quotes
We went to a club where singers and stand-up comedians performed in the hope of being discovered. A thin girl with bright red hair and sequined T-shirt reached the end of her passionately murmured song on a sudden shrill, impossible top note. All conversation ceased. Someone, perhaps maliciously, dropped a glass. Halfway through, the note became a warbling vibrato and the singer collapsed on the stage in an abject curtsy, arms held stiffly in front of her, fists clenched. Then she sprang to her tiptoes and held her arms high above her head with the palms flat as if to forestall the sporadic and indifferent applause."They all want to be Barbra Streisand or Liza Minnelli," George explained as he sucked a giant cocktail through a pink plastic straw. "But no one's looking for that kind of stuff anymore."
Ian McEwan
Any time Uncle Sam, with all his machinery for warfare, is held to a draw by some rice eaters, he's lost the battle. He had to sign a truce. America's not supposed to sign a truce. She's supposed to be bad. But she's not bad any more. She's bad as long as she can use her hydrogen bomb, but she can't use hers for fear Russia might use hers. Russia can't use hers, for fear that Sam might use his. So, both of them are weapon-less. They can't use the weapon because each's weapon nullifies the other's. So the only place where action can take place is on the ground. And the white man can't win another war fighting on the ground. Those days are over. The black man knows it, the brown man knows it, the red man knows it, and the yellow man knows it. So they engage him in guerrilla warfare. That's not his style. You've got to have heart to be a guerrilla warrior, and he hasn't got any heart.
Malcolm X
The King's colours were white and black, which he always wore in honour of the Duchess of Valentinois, who was a widow. The Duke of Ferrara and his retinue had yellow and red. Monsieur de Guise's carnation and white. It was not known at first for what reason he wore those colours, but it was soon remembered that they were the colours of a beautiful young lady whom he had been in love with, while she was a maid, and whom he yet loved though he durst not show it. The Duke de Nemours had yellow and black; why he had them could not be found out: Madam de Cleves only knew the reason of it; she remembered to have said before him she loved yellow, and that she was sorry her complexion did not suit that colour. As for the Duke, he thought he might take that colour without any indiscretion, since not being worn by Madam de Cleves it could not be suspected to be hers.
Madame de La Fayette
I am neither a saint nor a theologian. To me, good works are more important than theology. We all know that religion has been historically, and still is today, a cause of great evil as well as great good in human affairs. We have seen terrible wars and terrible persecutions conducted in the name of religion. We have also seen large numbers of people inspired by religion to lives of heroic virtue, bringing education and medical care to the poor, helping to abolish slavery and spread peace among nations. Religion amplifies the good and evil tendencies of individual souls. Religion will always remain a powerful force in the history of our species. To me, the meaning of progress in religion is simply this, that as we move from the past to the future the good works inspired by religion should more and more prevail over the evil.
Freeman Dyson
I gave up on this stuff. I gave up on my species and ... I gave up on my countrymen. Because I think we squandered great gifts. I think humans were given great great gifts: walking upright, binocular vision, opposable thumb, large brain ... We grew. We had great gifts, and we gave it all up for both money and God ... We gave it all up to superstition, primitive superstition, primitive shit ... Invisible man in the sky, looking down, keeping track of what we do, make sure we don't do the wrong thing, if we do, he puts us in hell, where we burn forever. That kind of shit is very limiting for this brain we have. So we keep ourselves limited. And then we want a toy and a gizmo and gold and we want shiny things, and we want something to plug in that will make big big big things for us... And all that shit is nothing! It's nothing.
George Carlin