The whole beauty of the Film is that it has a certain fixed speed. The way you see it is mechanically conditioned. I mean, take a painting - you can just glance at it, or you can stare at the left hand top corner for half an hour. Same thing with a book. The author can't stop you from skimming it, or staring at the last chapter and reading backwards. The point is, you choose your approach. When you go into a cinema it's different. There's the film, and you have to look at it as the director wants you to look at it. He makes his points, one after another, and he allows you a certain number of seconds or minutes to grasp each one. If you miss anything he won't repeat himself, and he won't stop to explain. He can't. He's started something and he has to go through with it.
Christopher IsherwoodRelated topics
anything approach beauty book certain choose corner different director film grasp half hour last left mean miss number point reading see skimming something speed staring stop take thing top way cinema pointsRelated quotes
I think we've been through a period where too many people have been given to understand that if they have a problem, it's the government's job to cope with it. 'I have a problem, I'll get a grant.' 'I'm homeless, the government must house me.' They're casting their problem on society. And, you know, there is no such thing as society. There are individual men and women, and there are families. And no government can do anything except through people, and people must look to themselves first. It's our duty to look after ourselves and then, also to look after our neighbour. People have got the entitlements too much in mind, without the obligations. There's no such thing as entitlement, unless someone has first met an obligation.
Margaret Thatcher
Traditionally, economic analysis treats the economic system as one of the givens. The term "design" in the title is meant to stress that the structure of the economic system is to be regarded as an unknown. An unknown in what problem? Typically that of finding a system that would be, in a sense to be specified, superior to the existing one. The idea of searching for a better system is at least as ancient as Plato's Republic, but it is only recently that tools have become available for a systematic, analytical approach to such search procedures. This new approach refuses to accept the institutional status quo of a particular time and place as the only legitimate object of interest and yet recognizes constraints that disqualify naive Utopias.
Leonid Hurwicz
For what advantage is it, that the world enjoys profound peace, if thou art at war with thyself? This then is the peace we should keep. If we have it, nothing from without will be able to harm us. And to this end the public peace contributes no little: whence it is said, ‘That we may lead a quiet and peaceable life.' But if any one is disturbed when there is quiet, he is a miserable creature. Seest thou that He speaks of this peace which I call the third (inner, ed.) kind? Therefore when he has said, ‘that we may lead a quiet and peaceable life,' he does not stop there, but adds ‘in all godliness and honesty.' But we cannot live in godliness and honesty, unless that peace be established. For when curious reasonings disturb our faith, what peace is there? or when spirits of uncleanness, what peace is there?
John Chrysostom
Reputation runs in a vicious circle, and Merit limps behind it, mortified and abashed at its own insignificance. It has been said that the test of fame or popularity is to consider the number of times your name is repeated by others ... So, if you see the same name staring you in the face in great letters at the corner of every street, you involuntarily think the owner of it must be a great man to occupy so large a space in the eye of the town. The appeal is made, in the first instance, to the senses, but it sinks below the surface into the mind. There are various ways of playing one's-self off before the public, and keeping one's name alive. The newspapers, the lamp-posts, the walls of empty houses, the shutters of windows, the blank covers of magazines and reviews, are open to every one.
William Hazlitt
I had read in the story-cube that the speed of light was a universal limit; that in a thousand years of experimentation-despite any number of false dawns-no one had ever managed to circumvent it. This had made me feel hemmed in and claustrophobic-it was like being told I must never run or skip down the long, dreary corridors of the house, but must walk instead, with my neck straight and my hands held behind my back. I felt affronted, as if the speed of light was a personal assault on my liberty. Why should I not go as fast as I pleased? Why should I not skip and run? But I could no more explain why the speed limit existed than I could explain why two and two did not make five. It was simply the way things were, one of those rules-like the edict not to visit certain parts of the house-that were not to be questioned.
Alastair Reynolds