What the hell is this?? Who can tell me?? Does anybody know?? How can I find out more about it?? One thing's sure: the human mind can't "know" it...why does one want to "know"?? Is it a quest for "freedom"? One no longer wishes to be a puppet dancing on the strings of...of what? Animal instincts?? Learned reflexes? Programmed behavior?? Ingrained habits of perception?? How limited are we by the experience of our senses, by our physical nature?? To be fully alive is a stupendous struggle! We want the rewards without the struggle--- ---a fatal error! ...No such thing as an easy life! Everybody has a hard time...struggle or die! To find out what's really going on it's necessary to get around the ego..an art requiring persistent and determined effort...Me, me, me...myself & I...oh no!!! Trapped in my stupid self!
Robert CrumbRelated topics
animal anybody art dancing die easy effort error everybody experience find freedom hard hell human limited longer mind nature necessary perception puppet requiring self stupid sure tell thing trapRelated quotes
Britain for a long time had a reflection of its class structure which meant that people like, well, J. B. S. Haldane who was the nephew of Lord Haldane, or Bertrand Russell who became Lord Russell, could do what they pleased, and it's interesting to think that Bertrand Russell never had a job, he never had to compete for a job. Haldane had four or five different jobs in his life, totally different. He probably could have - if he had been bothered - have just abandoned his job and went on to live otherwise. ... But this no longer exists. IBM no longer exists. I don't see a place now where somebody like myself who combined, let's say, unusual gifts and unusual tastes and, who everybody said has promise, was certainly a misfit of the worst kind could find a position at this point and I think that a tragedy.
Benoît Mandelbrot
Nobody at Magnum decides for the other what he should do and everyone is free to tell someone else: "Well, what about this story? I don't like it for this and that reason - because of this picture.” It is extremely fruitful to have somebody to talk to as an equal. This give and take is a most profitable thing because we keep learning from each other. I keep learning from the younger members just as I learned from Bob [Robert] Capa and Chim [David Seymour] how to make picture stories. Cornell Capa, for instance, has a very keen journalistic sense; and as for the other photographer, each makes his own contribution. Everybody in Magnum has full freedom; there's no doctrine, there is no school, but there is something that unites all of us very strongly - I can't define it; it may be a certain feeling of freedom and a respect for reality.
Henri Cartier-Bresson
Let us imagine that the aboriginal-original human specimen was one of two brother apes, A and B; they were alike in every respect; both were animal space-binders; but something strange happened to B; he became the first time-binder, a human. ... He had thus a new faculty, he belonged to a new dimension; but, of course, he did not realize it; and because he had this new capacity he was able to analyze his brother "A"; he observed "A is my brother; he is an animal; but he is my brother; therefore, I AM AN ANIMAL." This fatal first conclusion, reached by false analogy, by neglecting a fact, has been the chief source of human woe for half a million years and it still survives. ... He [then] said to himself, "If I am an animal there is also in me something higher, a spark of some thing supernatural."
Alfred Korzybski
It is necessary to separate aesthetics from art because aesthetics deals with opinions on perception of the world in general. In the past one of the two prongs of art's function was its value as decoration. So any branch of philosophy that dealt with "beauty” and thus, taste, was inevitably duty bound to discuss art as well. Out of this "habit” grew the notion that there was a conceptual connection between art and aesthetics, which is not true. This idea never drastically conflicted with artistic considerations before recent times, not only because the morphological characteristics of art perpetuated the continuity of this error, but as well, because the apparent other "functions” of art (depiction of religious themes, portraiture of aristocrats, detailing of architecture, etc.) used art to cover up art.
Joseph Kosuth
The problem with the religious solution [to philosophical problems] was stated by Mencken when he wrote, 'Theology is the effort to explain the unknowable in terms of the not worth knowing.' For anyone with a persistent intellectual curiosity, religious explanations are not worth knowing because they pile equally baffling enigmas on top of the original ones. What gave God a mind, free will, knowledge, certainty about right and wrong? How does he infuse them into a universe that seems to run just fine according to physical laws? How does he get ghostly souls to interact with hard matter? And most perplexing of all, if the world unfolds according to a wise and merciful plan, why does it contain so much suffering? As the Yiddish expression says, If God lived on earth, people would break his windows.
Steven Pinker