It's that weird magic of if you sing a song you're connecting to emotionally, it's going to trick me into feeling my emotions. I'm not feeling your [pain], I don't know what happened to you, but you have just tricked me into feeling my own pain and my own emotions and that is an amazing thing. That's this miraculous thing about music. Film can do it too, art can do it, but music does it great. That's where making an album like this ['Higher Truth'] is exciting and special. The downside is you pretty much have to do it on every song. You don't get a free pass unless you write a joke song, which I'm not good at. If I wrote like the [Beatles'] ballad ‘Rocky Raccoon' or something I could get away from it for a second. A song about a raccoon that gets in a gun fight.
Chris CornellRelated topics
album art ballad fight film free good great joke making music pain pass pretty second sing something song thing trick truth weird write Beatles higher downsideRelated quotes
What an astounding thing is the voice! By what miracle is the hot magma of the earth transformed into that which we call speech? If out of clay such an abstract medium as words can be shaped what is to hinder us from leaving our bodies at will and taking up our abode on other planets or between the planets? What is to prevent us from rearranging all life, atomic, molecular, corporeal, stellar, diving? Who or what is powerful enough to eradicate this miraculous leaven which we bear within us like a seed and which, after we have embraced in our mind all the universe, is nothing more than a seed - since to say universe is as easy as to say seed, and we have yet to say greater things, things beyond saying, things limitless and inconceivable, things which no trick of language can encompass.
Henry Miller
What would we really know the meaning of? The meal in the firkin; the milk in the pan; the ballad in the street; the news of the boat; the glance of the eye; the form and the gait of the body; - show me the ultimate reason of these matters; show me the sublime presence of the highest spiritual cause lurking, as always it does lurk, in these suburbs and extremities of nature; let me see every trifle bristling with the polarity that ranges it instantly on an eternal law; and the shop, the plough, and the ledger, referred to the like cause by which light undulates and poets sing; - and the world lies no longer a dull miscellany and lumber-room, but has form and order; there is no trifle; there is no puzzle; but one design unites and animates the farthest pinnacle and the lowest trench.
Ralph Waldo Emerson
Repression, Sir is a habit that grows. I am told it is like making love-it is always easier the second time! The first time there may be pangs of conscience, a sense of guilt. But once embarked on this course with constant repetition you get more and more brazen in the attack. All you have to do is to dissolve organizations and societies and banish and detain the key political workers in these societies. Then miraculously everything is tranquil on the surface. Then an intimidated press and the government-controlled radio together can regularly sing your praises, and slowly and steadily the people are made to forget the evil things that have already been done, or if these things are referred to again they're conveniently distorted and distorted with impunity, because there will be no opposition to contradict.
Lee Kuan Yew
Darwin himself told us in his last book (The Formation of Vegetable Mould Through the Action of Worms) that we should never underestimate the power of worms on the move.... The inversion of a humble worm, especially when disturbed, may bring down empires. Shakespeare told us that "the smallest worm will turn being trodden on." And Cervantes wrote in his author's preface to Don Quixote that "even a worm when trod upon, will turn again." ...Geoffrey, it seems, was correct after all - not in every detail, of course, but at least in basic vision and theoretical meaning. And the triumph of surprise, the inversion of nuttiness to apparent truth, stands as a premier example of the most exciting general development in evolutionary theory during our times.
Stephen Jay Gould
Hearing has its own memory. It registers the dog whose sudden barking startled me as a child. The folk songs my nanny used to sing. The dadaism of a cabaret song from Berlin: ‘I tear out one of my eyelashes and stab you dead with it,' innocently sung by my mother. Hitler conjuring up the Almighty. The crowing voice of little Goebbels. Alarm sirens, the roar of aircraft, the blast of bombs. Ljuba Welitsch being Salome. The sonorities of Edwin Fischer's piano playing. María Casares as Lady Macbeth in Avignon. Ralph Kirkpatrick's two Scarlatti recitals. Gré Brouwenstijn as Leonore in Fidelio. The epiphany of Ligeti's Aventures et Nouvelles Aventures. The magic application of noise in Peter Brook's A Midsummer Night's Dream. All sorts of laughter.
Alfred Brendel