"This is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's an alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it,"-Haymitch dumps the head shackle on the bed and whips out a tiny silver chip-"I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter.
Suzanne CollinsRelated topics
alternative chance ear enough fit head hours implant key mutter name reason remove shackle silver skull sort speak transmitter under unit wear audio dumps locksRelated quotes
For the man crucified on the crossed machine guns
Without name, without resurrection, without stars,
His dark head heavy with death and his flesh long sour
With the smell of his many prisons - John Smith, John Doe,
John Nobody - oh, crack your mind for his name!
Faceless as water, naked as the dust,
Dishonored as the earth the gas-shells poison
And barbarous with portent.
This is he.
This is the man they ate at the green table
Putting their gloves on ere they touched the meat.
This is the fruit of war, the fruit of peace,
The ripeness of invention, the new lamb,
The answer to the wisdom of the wise.
And still he hangs, and still he will not die
And still, on the steel city of our years
The light falls and the terrible blood streams down.
Stephen Vincent Benét
The imagination of teenagers is often -- I'm tempted to say always -- the only sure capital they possess apart from the love of their parents, which is a force far beyond their capacity to comprehend or control.During my own adolescence, my imagination, the kingdom inside my own skull, was my sole source of refuge, my fortress of solitude, at times my prison. Like all teenagers, I provisioned my garrison with art: books, movies, music, comic books, television, role-playing games. Given their nature as human creations, as artifacts and devices of human nature, some of the provisions I consumed were bound to be of a dark, violent, even bloody and horrifying nature; otherwise I would not have cared for them.
Michael Chabon
The Cardinal rose with a dignified look,
He call'd for his candle, his bell, and his book:
In holy anger, and pious grief,
He solemnly curs'd that rascally thief!
He curs'd him at board, he curs'd him in bed,
From the sole of his foot to the crown of his head!
He curs'd him in sleeping, that every night
He should dream of the devil, and wake in a fright;
He curs'd him in eating, he curs'd him in drinking,
He curs'd him in coughing, in sneezing, in winking;
He curs'd him in sitting, in standing, in lying;
He curs'd him in walking, in riding, in flying;
He curs'd him in living, he curs'd him in dying!
Never was heard such a terrible curse!
But what gave rise
To no little surprise,
Nobody seem'd one penny the worse!
Richard Harris Barham
Have not many of us, in the weary way of life, felt, in some hours, how far easier it were to die than to live?
The martyr, when faced even by a death of bodily anguish and horror, finds in the very terror of his doom a strong stimulant and tonic. There is a vivid excitement, a thrill and fervor, which may carry through any crisis of suffering that is the birth-hour of eternal glory and rest.
But to live, - to wear on, day after day, of mean, bitter, low, harassing servitude, every nerve dampened and depressed, every power of feeling gradually smothered, - this long and wasting heart-martyrdom, this slow, daily bleeding away of the inward life, drop by drop, hour after hour, - this is the true searching test of what there may be in man or woman.
Harriet Beecher Stowe
I know in a way I never knew before that there is nowhere for me to go, nothing for me to do, and no one for me to know. The voice in my head keeps reciting these old principles of mine. The voice is his voice, and the voice is also my voice. And there are other voices, voices I have never heard before, voices that seem to be either dead or dying in a great moonlit darkness. More than ever, some sort of new arrangement seems in order, some dramatic and unknown arrangement -- anything to find release from this heartbreaking sadness I suffer every minute of the day (and night), this killing sadness that feels as if it will never leave me no matter where I go or what I do or whom I may ever know.
Thomas Ligotti
