Bavasi thought he would be a star. Whatever O'Malley thought of Clemente's talent, however, did not matter as much as the matter of his color. He made it clear to Bavasi that bringing Clemente to Brooklyn would be a problem – less for the fans, he explained, than for the players, who might think that too many black men were taking jobs. Bavasi suggested they put the question to one of the players – Jackie Robinson. Bavasi explained the situation to Robinson, who asked who the team would trade or sell to make room to bring Clemente up to the Dodgers. Bavasi thought George Shuba, a white player, would be the one to go. Shuba was an outfielder, a good, though not in Bavasi's estimation, great player. He was, however, a popular one. Dropping him to bring up Clemente, who might not even be ready to start, Robinson suggested, would not be wise – to bring up Clemente now, he advised Bavasi, would set back by five years the effort to truly integrate the game.
Roberto ClementeRelated topics
black clear color effort five game good great men less matter might now problem question ready room sell set situation start taking talent thought trade whatever white wise years outfielder Robinson BrooklynRelated quotes
It's difficult for me to know where to start with rugby. I come from a fanatically rugby-conscious Welsh miner's family, know so much about it, have read so much about it, have heard with delight so many massive lies and stupendous exaggerations about it and have contributed my own fair share, and five of my six brothers played it, one with some distinction... it's difficu1t for me to know where to start so I'll begin with the end. The last shall be first, as it is said, so I'll tell you about the last match I ever played in...I had played the game representatively from the age of ten until those who employed me in my profession, which is that of actor, insisted that I was a bad insurance risk against certain dread teams in dead-end valleys who would have little respect, no respect, or outright disrespect for what I was pleased to call my face. What if I were unfortunate enough to be on the deck in the middle of a loose maul...they murmured in dollar accents?
Richard Burton
He looked round the street and saw a sign on a building: THIS PROPERTY IS MANAGED BY THE SOUTH SIDE REAL ESTATE COMPANY. He had heard that Mr. Dalton owned the South Side Real Estate Company, and the South Side Real Estate Company owned the house in which he lived. He paid eight dollars a week for one rat-infested room. He had never seen Mr. Dalton until he had come to work for him; his mother always took the rent to the real estate office. Mr. Dalton was somewhere far away, high up, distant, like a god. He owned property all over the Black Belt, and he owned property where white folks lived, too. But Bigger could not live in a building across the "line." Even though Mr. Dalton gave millions of dollars for Negro education, he would rent houses to Negroes only in this prescribed area, this corner of the city tumbling down from rot. In a sullen way Bigger was conscious of this. Yes; he would send the kidnap note. He would jar them out of their senses.
Richard Wright
Jazz, often called America's classical music, so influenced our culture that Americans named a decade after it. Like the country of its birth, jazz blends many traditions, such as African-American folk, rhythm and blues, French Creole classical form, and gospel. Through the creation and performance of music like jazz, black Americans were better able to exchange ideas freely across racial and cultural barriers. Before our Nation made significant strides in truly promoting equal justice and opportunity for all, black and white musicians in the genres of jazz, blues, and country played together in jam sessions, recording studios, and small bands. In many ways, their art preceded social change, allowing black and white musicians to meet as equals and to be judged on their musical ability, rather than the color of their skin. Their music also provided an outlet for African Americans to speak passionately and brilliantly to the rest of the Nation and the world.
George W. Bush
I remember a decade ago at my first annual meeting in St. Louis. After my banquet remarks to a packed house, they presented me with a very special gift. It was a splendid hand-crafted musket.
I admit I was overcome by the power of its simple symbolism. I looked at that musket and I thought of all of the lives given for that freedom. I thought of all of the lives saved with that freedom. It dawned on me that the doorway to all freedoms is framed by muskets.
So I lifted that musket over my head for all to see. And as flashbulbs popped around the room, my heart and a few tears swelled up, and I uttered five unscripted words. When I did, that room exploded in sustained applause and hoots and shouts that seemed to last forever. ... So as we set out this year to defeat the divisive forces that would take freedom away, I want to say those words again for everyone within the sound of my voice to hear and to heed, and especially for you, Mr. Gore: From my cold dead hands!
Charlton Heston
Here is my proposal. Israel should announce an immediate unilateral cessation in retaliation against terrorist attacks. This moratorium would be in effect for a short period, say four or five days, to give the Palestinian leadership an opportunity to respond to the new policy. It would also make it clear to the world that Israel is taking an important step in ending what has become a cycle of violence. Following the end of the moratorium, Israel would institute the following new policy if Palestinian terrorism were to resume. It will announce precisely what it will do in response to the next act of terrorism. For example, it could announce the first act of terrorism following the moratorium will result in the destruction of a small village which has been used as a base for terrorist operations. The residents would be given 24 hours to leave, and then troops will come in and bulldoze all of the buildings.
Alan Dershowitz