After completing my work [his murals for the Jewish Theater in Moscow) I thought, as has been agreed, that it would be shown in public as a series of my latest things. The management will agree with me that I can find no inner peace as a painter until the 'masses' see my work etc. It turned out that the things [the murals] had been put into a 'cage', as it were, where they can be seen at the very best by (if you will forgive me for saying so) Jews at close quarters. I like the Jews a lot (there's enough 'proof' of that) but I like the Russians as well and some other nationalities, and I am used to painting serious things for many 'nationalities'. (Marc Chagall)

After completing my work [his murals for the Jewish Theater in Moscow) I thought, as has been agreed, that it would be shown in public as a series of my latest things. The management will agree with me that I can find no inner peace as a painter until the 'masses' see my work etc. It turned out that the things [the murals] had been put into a 'cage', as it were, where they can be seen at the very best by (if you will forgive me for saying so) Jews at close quarters. I like the Jews a lot (there's enough 'proof' of that) but I like the Russians as well and some other nationalities, and I am used to painting serious things for many 'nationalities'.

Marc Chagall

Related topics

best cage close enough find mass peace proof public saying see seen series show thought well work etc latest quarters things

Related quotes

The Kahal is the corrupting factor which changes our state - it is the cause of the seizure, the trusts, the failures that undermine trade, industry and agriculture in Romania - it is the body that wanders through the public newspapers which it subsidizes - it is the agent spreading the insidious ideas of materialism and liberalism, socialism, anarchism - it is the power of occult Freemasonry. The Kahal is, finally, the agent of revolutions that shook the world and, for some time, troubled the peace of the wretched Romanian people. This is the occult Jewish power against which mankind is disarmed, because they do not know. View quote
Nicolae Paulescu
The Jews might well, were they of such a mind (as I am, lament the disappearance of all those who painted the wooden synagogues in the small towns and villages - oh why haven't I gone to my grave with them!), and the carvers of the wooden 'school mallets' – 'quiet boy!' (and if you should see them in Ansky's collection, you'll get a shock!). But is there really any difference between my ancestor from Mohiliev, who painted the synagogue there, and myself, who painted the Jewish theatre in Moscow (and a good theater it is at that)?.. .I am convinced that, were I to stop shaving, you would see in me a deceptive likeness. View quote
Marc Chagall
I deplore with you the putrid state into which our newspapers have passed, and the malignity, the vulgarity, & mendacious spirit of those who write for them: and I enclose you a recent sample, the production of a New England judge, as a proof of the abyss of degradation into which we are fallen. These ordures are rapidly depraving the public taste and lessening its relish for sound food. As vehicles of information and a curb on our functionaries, they have rendered themselves useless by forfeiting all title to belief. That this has in a great degree been produced by the violence and malignity of party spirit I agree with you... View quote
Thomas Jefferson
WikiLeaks and Assange have done more to expose the dark machinations and crimes of the American Empire than any other news organization. Assange, in addition to exposing atrocities and crimes committed by the United States military in our endless wars and revealing the inner workings of the Clinton campaign, made public the hacking tools used by the CIA and the National Security Agency, their surveillance programs and their interference in foreign elections...And WikiLeaks worked swiftly to save Edward Snowden, who exposed the wholesale surveillance of the American public by the government, from extradition to the United States by helping him flee from Hong Kong to Moscow... View quote
Chris Hedges
Miro came of age as an artist just at the time World War 1. ended. With the end of the war came the end of all the new pre-war art conceptions. A young painter could not start as a Cubist or a Futurist, and Dada was the only manifestation at the moment. Miro began by painting farm scenes from the countryside of Barcelona, his native land... A few years later he came to Paris [circa 1914] and found himself among the Dadaists who were, at that time, transmuting into Surrealism. In spite of this contact Miró kept aloof from any direct influence and showed a series of canvases in which form submitted to strong colouring expressed a new two-dimensional cosmogony, in no way related to abstraction. View quote
Marcel Duchamp