How can art be realized? Out of volumes, motion, spaces bounded by the great space, the universe. Out of different masses, tight, heavy, middling - indicated by variations of size or color - directional line - vectors which represent speeds, velocities, accelerations, forces, etc...- these directions making between them meaningful angles, and senses, together defining one big conclusion or many. Spaces, volumes, suggested by the smallest means in contrast to their mass, or even including them, juxtaposed, pierced by vectors, crossed by speeds. Nothing at all of this is fixed. Each element able to move, to stir, to oscillate, to come and go in its relationships with the other elements in its universe. It must not be just a fleeting moment but a physical bond between the varying events in life. Not extractions, but abstractions. Abstractions that are like nothing in life except in their manner of reacting.
Alexander CalderRelated topics
able art color contrast defining different element great heavy line making mass moment move nothing size space stir etc means directionalRelated quotes
I stand at the seashore, alone, and start to think.
There are the rushing waves
mountains of molecules
each stupidly minding its own business
trillions apart
yet forming white surf in unison.Ages on ages
before any eyes could see
year after year
thunderously pounding the shore as now.
For whom, for what?
On a dead planet
with no life to entertain.Never at rest
tortured by energy
wasted prodigiously by the sun
poured into space.
A mite makes the sea roar. Deep in the sea
all molecules repeat
the patterns of one another
till complex new ones are formed.
They make others like themselves
and a new dance starts.Growing in size and complexity
living things
masses of atoms
DNA, protein
dancing a pattern ever more intricate.Out of the cradle
onto dry land
here it is
standing:
atoms with consciousness;
matter with curiosity.Stands at the sea,
wonders at wondering: I
a universe of atoms
an atom in the universe.
Richard Feynman
What can I write about Vytautas Juozapaitis? Months ago, a singer with this same name gave one of the most Mozartean accounts of Don Giovanni I've ever experienced: a lean, yet warm sound, exciting and a little on the dangerous side - utterly (and wonderfully) self-absorbed. The man singing Giorgio Germont could not possibly have been this same artist. This was Verdi singing of the highest order - as if to the manor born. A molten, rich expressivity and attention to Verdian line that in its size, detail and musicality recalled the greats: Gorin, Merrill... you get the idea. The name may not trip off American tongues with ease... yet, but in an era often thought bereft of Verdian voices Juozapaitis is the real deal. Every moment of his Germont was filled passion and, like all of the cast members, every word of the Italian was naturally produced and understandable. Mama mia this man's got it!
Vytautas Juozapaitis
A review of our party's seventy-plus-year history elicits an important conclusion. Our party earned the people's support during the historical periods of revolution, construction and reform because it always represented the requirements for developing China's advanced productive forces, the orientation of China's advanced culture and the fundamental interests of the overwhelming majority of the Chinese people. The party also earned popular support because it fought tirelessly to realize the fundamental interests of the country and the people by formulating a correct line, principles and policies. Today, humanity once again stands at the beginning of a new century and a new millennium. How our party can better effectuate the Three Represents under the new historical conditions is a major issue all Party comrades, especially high-ranking party cadres, must consider deeply.
Jiang Zemin
When someone's body can no longer perform its functions in the natural world in response to the thoughts and affections of its spirit (which it derives from the spiritual world), then we say that the individual has died. This happens when the lungs' breathing and the heart's systolic motion have ceased. The person, though, has not died at all. We are only separated from the physical nature that was useful to us in the world. The essential person is actually still alive. I say that the essential person is still alive because we are not people because of our bodies but because of our spirits. After all, it is the spirit within us that thinks, and thought and affection together make us the people we are. We can see, then, that when we die we simply move from one world into another. This is why in the inner meaning of the Bible, "death" means resurrection and a continuation of life.
Emanuel Swedenborg
In March 1879 Clifford died at Madeira; six years afterwards a posthumous work is for the first time placed before the public. ...The original work as planned by Clifford was to have been entitled The First Principles of the Mathematical Sciences Explained to the Non-Mathematical, and to have contained six chapters, on Number, Space, Quantity, Position, Motion, and Mass respectively. Of the projected work Clifford in the year 1875 dictated the chapters on Number and Space completely, the first portion of the chapter on Quantity, and somewhat later nearly the entire chapter on Motion. The first two chapters were afterwards seen by him in proof, but never finally revised. Shortly before his death he expressed a wish that the book should only be published after very careful revision and that its title should be changed to The Common Sense of the Exact Sciences.
William Kingdon Clifford