Putting a shovel in a gallery or museum signified "this shovel has become art.” And it actually was. The action itself is art, because the artist projects himself in choosing the shovel, and especially in placing it out of context. It is art in the sense that the imprint of a hand in a cave is art, the Mona Lisa is art, a happening is art, etc. It is a problem that touches on the ethics and function of the artist: he assumes the right to have this supra-human calling that allows him to say to others, "everything that I touch with my hand is transformed into art.” The artist imposes his anguish, his vision of the world, and himself on others. The artist emasculates the observer. Maybe he thinks that the latter deserves no better . . . The artist assumes the right to show you what you can see for yourself, what you could obviously see much more clearly without his intervention. I contest this right.
Daniel BurenRelated topics
action art calling choosing context ethics everything gallery imprint intervention museum observer placing problem putting right see sense show signified touch vision etc others projectsRelated quotes
But someone is bound to question ... by what right I regard as Ideological State Apparatuses, institutions which for the most part do not possess public status, but are quite simply private institutions. As a conscious Marxist, Gramsci already forestalled this objection in one sentence. The distinction between the public and the private is a distinction internal to bourgeois law, and valid in the (subordinate) domains in which bourgeois law exercises its ‘authority'. The domain of the State escapes it because the latter is ‘above the law': the State, which is the State of the ruling class, is neither public nor private; on the contrary, it is the precondition for any distinction between public and private. The same thing can be said from the starting-point of our State Ideological Apparatuses. It is unimportant whether the institutions in which they are realized are ‘public' or ‘private'. What matters is how they function.
Louis Althusser
He who doeth good unto Me, it is as if he doeth good unto God, His angels and the entire company of His loved ones. He who doeth evil unto Me, it is as if he doeth evil unto God and His chosen ones. Nay, too exalted is the station of God and of His loved ones for any person's good or evil deed to reach their holy threshold. Whatever reacheth Me is ordained to reach Me; and that which hath come unto Me, to him who giveth will it revert. By the One in Whose hand is My soul, he hath cast no one but himself into prison. For assuredly whatsoever God hath decreed for Me shall come to pass and naught else save that which God hath ordained for us shall ever touch us. Woe betide him from whose hands floweth evil, and blessed the man from whose hands floweth good. Unto no one do I take My plaint save to God; for He is the best of judges. Every state of adversity or bliss is from Him alone, and He is the All-Powerful, the Almighty.
Báb
From what can "ought" be derived. The most compelling answer is this: ethics must be somehow based on an appreciation of human nature - on a sense of what a human being is or might be, and on what a human being might want to have or want to be. If that is naturalism, then naturalism is no fallacy. No one could seriously deny that ethics is responsive to such facts about human nature. We may just disagree about where to look for the most compelling facts about human nature -n novels, in religious texts, in psychological experiments, in biological or anthropological investigations. The fallacy is not naturalism but, rather, any simple-minded attempt to rush from facts to values. In other words, the fallacy is greedy reductionism of values to facts, rather than reductionism considered more circumspectly, as the attempt to unify our world-view so that out ethical principles don't clash irrationally with the way the world is.
Daniel Dennett
In the Greek world in which Homer's songs were sung, it was taken for granted that everyone's life is ruled by fate and chance. For Homer, human life is a succession of contingencies: all good things are vulnerable to fortune. Socrates could not accept this archaic tragic vision. He believed that virtue and happiness were one and the same: nothing can harm a truly good man. So he re-envisioned the good to make it indestructible. Beyond the goods of human life - health, beauty, pleasure, friendship, life itself - there was a Good that surpassed them all. In Plato, this became the idea of the Form of the Good, the mystical fusion of all values into a harmonious spiritual whole - an idea later absorbed into the Christian conception of God. But the idea that ethics is concerned with a kind of value that is beyond contingency, that can somehow prevail over any kind of loss or misfortune, came from Socrates. It was he who invented 'morality'.
John N. Gray
There is an honesty in science which leads to a certain acceptance of reality. There are some who, finding the ocean an impediment to the pursuit of their designs, try to ignore its existence. If they are unable to ignore it because of its size, they try to legislate it out of existence, or try to dry it up with a sponge. They insist that the latter operation would be possible if enough sponges were available, and if enough persons would wield them. There is no ocean of greater magnitude than the sexual function, and there are those who believe that we would do better if we ignored its existence, that we should not try to understand its material origins, and that if we sufficiently ignore it and mop at the flood of sexual activity with new laws, heavier penalties, more pronouncements, and greater intolerances, we may ultimately eliminate the reality.
Alfred Kinsey