The rhetorical process functioned in many areas other than speech: Curtius wrote about 'rhetorical landscape representations' while Serpieris speaks of 'la retorica al teatro' (the rhetorical use of theatrical space), and music historians have learned that the language and approach of musical theory in the Middle Ages were borrowed directly from medieval grammar and rhetoric.
Thomas BinkleyRelated topics
approach grammar language medieval middle music rhetoric rhetorical space speech theatrical use while representationsRelated quotes
Whoever wants to approach prayer without a guide, and proudly thinks that he can learn from books, and won't go to an elder, is already halfway into delusion. But the Lord helps the humble, and if there is no experienced guide, and he goes to a confessor, whoever he may be, then the Lord will cover him because of his humility.
Silouan the Athonite
Let us pass to the despotic part of the soul, spirit. We must not eliminate it utterly from the youth nor yet allow him to use it all the time. Let us train boys from earliest childhood to be patient when they suffer wrongs themselves, but, if they see another being wronged, to sally forth courageously and aid the sufferer in fitting measure.
John Chrysostom
For Christians above all men are forbidden to correct the stumblings of sinners by force...it is necessary to make a man better not by force but by persuasion. We neither have authority granted us by law to restrain sinners, nor, if it were, should we know how to use it, since God gives the crown to those who are kept from evil, not by force, but by choice.
John Chrysostom
It is not possible to put the Gospel and secular logic together. In the Gospel there is love, while in secular logic there is self-interest. The Gospel says, And if any one forces you to go one mile, go with him two. (Mt. 5:41) What is logical about this saying? This is surely madness! This is why those who try to reconcile the Gospel with secular logic find themselves in utter confusion.
Paisios of Mount Athos
While writing 'Cold Mountain,' I held maps of two geographies, two worlds, in my mind as I wrote. One was an early map of North Carolina. Overlaying it, though, was an imagined map of the landscape Jack travels in the southern Appalachian folktales. He's much the same Jack who climbs the beanstalk, vulnerable and clever and opportunistic.
Charles Frazier