![You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich. Compassion is all to the good, but vindictiveness is the verity Faulkner forgot: the organic force in every creative effort, from the poetry of Villon to the Brinks Express Robbery, that gives shape and color to all our dreams. [...] A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery. The strong-armer isn't out merely to turn a fast buck any more than the poet is out solely to see his name on the cover of a book, whatever satisfaction that event may afford him. What both need most deeply is to get even. And, of course, neither will. (Nelson Algren)](https://cdn.quotesdtb.com/img/quotes_images_webp/87/nelson-algren-alienation-blow-970687.webp)
You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich. Compassion is all to the good, but vindictiveness is the verity Faulkner forgot: the organic force in every creative effort, from the poetry of Villon to the Brinks Express Robbery, that gives shape and color to all our dreams. [...] A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery. The strong-armer isn't out merely to turn a fast buck any more than the poet is out solely to see his name on the cover of a book, whatever satisfaction that event may afford him. What both need most deeply is to get even. And, of course, neither will.
Nelson AlgrenRelated topics
alienation blow book certain color course cover creative effort force gives good name need novel organic pity rich safe see sense turn vague verity whatever write vindictiveness ruthlessness faulknerRelated quotes
Imprisoned under all our layers of long underwear, thick socks, shirts, vests, jackets, coats and hoods were these tropical bodies; the steam and hot water brought color back into the pallor, found the nacreous hollow in a hip, detected the subtly raised triceps, rinsed a sharp clavicle in a softening flood, swirled dull brown hair into a smooth black cap and pulled evening gloves of light over raw hands and skinny, blue-veined forearms.Just as each shell held to the ears roars with a different ocean timbre, each of these bodies spoke to me with a different music, though all sounded to me unlike my own and only with the greatest effort could I remember I was longing after my own sex. Indeed, each of these beings seemed to possess his very own sex.
Edmund White
In every nation thou beholdest unnumbered spiritual leaders who are bereft of true discernment, and among every people thou dost encounter myriads of adherents who are devoid of the same characteristic. Ponder for a while in thy heart, have pity on thyself and turn not aside thine attention from proofs and evidences. However, seek not proofs and evidences after thine idle fancy; but rather base thy proofs upon what God hath appointed. Moreover, know thou that neither being a man of learning nor being a follower is in itself a source of glory. If thou art a man of learning, thy knowledge becometh an honour, and if thou art a follower, thine adherence unto leadership becometh an honour, only when these conform to the good-pleasure of God.
Báb
When I was fourteen or fifteen [...] the Yom Kippur service ended in an unforgettable way, for Schechter, who always put great effort into the blowing of the shofar-he would go red in the face with exertion-produced a long, seemingly endless note of unearthly beauty, and then dropped dead before us on the bema, the raised platform where he would sing. I had the feeling that God had killed Schechter, sent a thunderbolt, stricken him. The shock of this for everyone was tempered by the reflection that if there was ever a moment in which a soul was pure, forgiven, relieved of all sin, it was at this moment, when the shofar was blown in conclusion of the fast [...].
Oliver Sacks
I see in painters prose writers and poets. Rhyme, measure, and the turning of verses, which is indispensable and which gives them so much vigor, are analogous to the hidden symmetry, to the equilibrium at once wise and inspired, which governs the meeting or separation of lines and spaces, the echoes of color, etc... ..but the beauty of verse does not consist of exactitude in obeying rules.. .It resides in a thousand secret harmonies and conventions which make up the power of poetry and which go straight to the imagination; in just the same way the happy choice of forms and the right understanding of their relationship act on the imagination in the art of painting.
Eugène Delacroix
Since the beginning of our critical career, we have seen a vast deal of beautiful poetry pass into oblivion, in spite of our feeble efforts to recall or retain it in remembrance...The rich melodies of Keats and Shelley,-and the fantastical emphasis of Wordsworth,-and the plebeian pathos of Crabbe, are melting fast from the fields of our vision. The novels of Scott have put out his poetry. Even the splendid strains of Moore are fading into distance and dimness, except where they have been married to immortal music; and the blazing star of Byron himself is receding from its place of pride....The two who have the longest withstood this rapid withering of the laurel, and with the least marks of decay on their branches, are Rogers and Campbell.
Francis Jeffrey